Auswahl wichtiger internationaler Literatur zu Merchant sowie zur Merchant-Rezeption außerhalb Deutschlands, die Teilperspektiven des Projekts beeinflusst hat.

 

Adelman, Janet.  "Her Father's Blood: Race, Conversion, and Nation in The Merchant of Venice."  In: Representations 81 (2003): 4-30.

Adelman, Janet.  Blood Relations: Christian and Jew in The Merchant of Venice.  Chicago: The University of Chicago Press, 2008.

Alter, Robert.  "Who Is Shylock?"  In:  Commentary 96.1 (1993): 29–34.

Armstrong, Gareth. A Case for Shylock: Around the World with Shakespeare's Jew. London: Nick Hern, 2004.

Bady, David. "The Sum of Something: Arithmetic in The Merchant of Venice." In: Shakespeare Quarterly 36.1 (1985): 10-30.

Barber, C[harles] L[awrence].  "The Merchants and the Jew of Venice: Wealth's Communion and an Intruder."  In:  Ders.  Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom.  Princeton: Princeton University Press, 1959.

Barnet, Sylvan (Hg.).  Twentieth-Century Interpretations of The Merchant of Venice: A Collection of Critical Essays.  Englewood Cliffs, NJ: Prentice-Hall, 1970.

Belsey, Catherine.  "Love in Venice."  In: Shakespeare Survey 44 (1991): 41-53.

Benston, Alice N. "Portia, the Law, and the Tripartite Structure of the Merchant of Venice." In: Shakespeare Quarterly 30.3 (1979): 367-385.

Berger, Jr., Harry. "Marriage and Mercifixion in The Merchant of Venice: The Casket Scene Revisited." In: Shakespeare Quarterly 32.2 (1981): 155-162.

Blaser, Patric und Brigitte Dalinger (Hg.). Shylockgestalten. Themenheft von Maske und Kothurn: Internationale Beiträge zur Theater-, Film-, und Medienwissenschaft 56.3 (2010).

Bloom, Allan. "On Christian and Jew: The Merchant of Venice." In: Shakespeare's Politics. Chicago: University of Chicago Press, 1981. 13-34.

Bloom, Harold (Hg.).  Shylock.  New York: Chelsea House, 1991.

Bloom, Harold.  "The Merchant of Venice."  In:  Ders.  Shakespeare: The Invention of the Human.  New York: River Head, 1998.  171-191.

Bloom, Harold (Hg.).  William Shakespeare’s The Merchant of Venice: Modern Critical Interpretations.  New York: Chelsea House, 1986.

Boehrer, Bruce. "Shylock and the Rise of the Household Pet: Thinking Social Exclusion in The Merchant of Venice." In: Shakespeare Quarterly 50.2 (1999): 152-170.

Bronstein, Herbert. "Shakepeare, the Jews, and The Merchant of Venice." In: Shakespeare Quarterly 14.4 (1963): 419-432.

Brown, John Russell.  "The Realization of Shylock: A Theatrical Criticism."  In:  Thomas Wheeler (Hg.).  The Merchant of Venice: Critical Essays.  New York and London: Garland, 1991.  263-291.

Burckhardt, Sigurd.  "The Merchant of Venice: The Gentle Bond."  In:  Ders.  Shakespearean Meanings.  Princeton: Princeton University Press, 1968.  206-289.

Burnett, Mark Thornton. "Remembrance, Holocaust, Globalization." In: Ders. Filming Shakespeare in the Global Marketplace. New York: Palgrave Macmillan, 2007. 87-106.

Burt, Richard. "Shakespeare and the Holocaust: Julie Taymor's Titus Is Beatuiful, or Shakesploi Meets (the) Camp." In: Colby Quarterly 37.1 (2001): 81.

Cohen, Derek.  "The Jew and Shylock."  In: Shakespeare Quarterly 31.1 (1980): 53-63.

Cohen, Walter.  "The Merchant of Venice and the Possibilities of Historical Criticism."  In:  English Literary History 49 (1982): 765-789.

Coolidge, John S. "Law and Love in The Merchant of Venice." In: Shakespeare Quarterly 27.3 (1976): 243-263.

Conkie, Rob.  "Shakespeare Aftershocks: Shylock."  In: Shakespeare Bulletin (2009) 27.4: 549-566.

Coyle, Martin (Hg.).  The Merchant of Venice.  Houndmills: Macmillan, 1998.

Crowl, Samuel.  "Looking for Shylock: Stephen Greenblatt, Michael Radford and Al Pacino."  In:  Mark Thornton Burnett und Ramona Wray (Hg.).  Screening Shakespeare in the Twenty-First Century.  Edinburgh: Edinburgh University Press, 2006.

Daniel, Drew.  "'Let me have judgment, and the Jew his will': Melancholy Epistemology and Masochistic Fantasy in The Merchant of Venice."  In:  Shakespeare Quarterly 61.2 (2010): 206-234.

Danson, Lawrence.  The Harmonies of The Merchant of Venice.  New Haven: Yale University Press, 1978.

Davis, Madison J., und Sylvie L.F. Richards, etc. "The Merchant and the Jew: A Fourteenth-Century French Analogue to The Merchant of Venice." In: Shakespeare Quarterly 36.1 (1985): 56-63.

Drakakis, John.  "Historical Difference and Venetian Patriarchy."  In:  Nigel Wood (Hg.).  The Merchant of Venice.  Theory in Practice Series.  Buckingham: Open University Press, 1996.  23-53.

Drakakis, John.  "Present Text: Editing The Merchant of Venice."  In:  Hugh Grady und Terence Hawkes (Hg.).  Presentist Shakespeares.   London: Routledge, 2007.  79-95.

Eagleton, Terry.  "Law: The Merchant of Venice, Measure for Measure, Troilus and Cressida."  In:  Ders.  William Shakespeare.  Oxford: Blackwell, 1986.  35-63.

Eggers, Jr., Walter F. "Love and Likeness in The Merchant of Venice." In: Shakespeare Quarterly 28.3 (1977): 328-333.

Engle, Lars.  "Money and Moral Luck in The Merchant of Venice."  In:  Ders.  Shakespearean Pragmatism: Market of His Time.  Chicago: University of Chicago Press, 1993.  77-106.

Engle, Lars. "'Thrift is Blessing’: Exchange and Explanation In The Merchant of Venice." In: Shakespeare Quarterly 37.1 (1986): 20-37.

Ephraim, Michelle.  "Her 'Flesh and Blood'? – Jessica's Mother in The Merchant of Venice."  In: Dies.  Reading the Jewish Woman on the Elizabethan Stage.  Aldershot: Ashgate, 2008.  133-152.

Firenze, Alexia.  Love's Usury: Love and Greed in the Anti-Semitic World of Shakespeare's Merchant of Venice.  New York: Vantage Press, 1989.

Freinkel, Lisa. "The Merchant of Venice: 'Modern' Anti-Semitism and the Veil of Allegory." In: Hugh Grady (Hg.). Shakespeare and Modernity: Early Modern to Millenium. London and New York: Routledge, 2000. 140.

Friedlander, Gerald.  Shakespeare and the Jew.  London: Routledge, 1921.

Garber, Marjorie.  "The Merchant of Venice: The Question of Intention."  In:  Dies.  Shakespeare and Modern Culture.  New York: Pantheon, 2008.  124-153.

Gaudet, Paul.  "Lorenzo's 'Infidel': The Staging of Difference in The Merchant of Venice."  In:  Theatre Journal 38.3 (1986): 275-290.

Gilbert, Miriam.  The Merchant of Venice.  Shakespeare at Stratford.  London: Arden Shakespeare, 2002.

Graham, Cary B. "Standards of Value in The Merchant of Venice." In: Shakespeare Quarterly 4.2 (1953): 145-151.

Grebanier, Bernard.  The Truth about Shylock.  New York: Random House, 1962.

Greenblatt, Stephen.  "Marlowe, Marx, and Anti-Semitism."  In:  Ders.  Learning to Curse: Essays in Early Modern Culture.  New York: Routledge, 1990.  40-58.

Greenblatt, Stephen.  "Negation: Die Grenzen des Hasses." In: Ders. Shakespeare: Freiheit, Schönheit und die Grenzen des Hasses.  Frankfurter Adorno-Vorlesungen 2006.  Übers. Klaus Binder.  Frankfurt a. M.: Suhrkamp, 2007.  89-122.

Gross, John.  Shylock: Four Hundred Years in the Life of a Legend.  London: Chatto & Windus, 1992.  –  Amerikanische Ausgabe:  Shylock: A Legend and Its Legacy.  New York: Simon & Schuster, 1992.

HaCohen, Ruth. The Music Libel Against The Jews. New Haven, Conn.: Yale Univ.Press, 2011. -- See esp. 58-70: "The Jew that 'Hath no music in himself': Shylock among Premodern Brethren."

Hammill, Graham. "Converting Cruelty and Constituting Community in Shakespeare's Venice: A Response to Drew Daniel." In: Shakespeare Quarterly 61.2 (2010): 234-240.

Hankey, Julia. "Victorian Portias: Shakespeare's Borderline Heroine." In: Shakespeare Quarterly 45.4 (1994): 426-228.

Heschel, Susannah. "The Merchant of Venice and the Theological Construction of Christian Europe." In: Mediating Modernity: Challenges and Trends in the Jewish Encounter with the Modern World: Essays in Honor of Michael A. Meyer. Ed. Lauren B. Strauss and Michael Brenner. Detroit: Wayne State University Press, 2008. 74-92.

Hirsch, Brett D.  "'A Gentle and No Jew': The Difference Marriage Makes in The Merchant of Venice." In:  Parergon 23.1 (2006): 119-129.

Holmer, Joan Ozark.  The Merchant of Venice: Choice, Hazard and Consequence.  Basingstoke: Macmillan, 1995.

Horowitz, Arthur. "Shylock after Auschwitz: The Merchant of Venice on the Post-Holocaust Stage – Subversion, Confrontation, and Provocation". In: Journal for Cultural and Religious Theory 8.3 (2007): 7-19.

Hunt, Maurice. "Ways of Knowing in The Merchant of Venice." In: Shakespeare Quarterly 30.1 (1979): 89-93.

Hyman, Lawrence W. "The Rival Lover in The Merchant of Venice." In: Shakespeare Quarterly 21.2 (1970): 109-116.

Ingram, Jill Phillips.  "'My Bloody Creditor': The Merchant of Venice and the Lexicon of Credit." In: Ders.  Idioms of Self Interest: Credit, Identity, and Property in English Renaissance Literature.  New York: Routledge, 2006.  99-116.

Jones, Maria.  "The Cultural Logic of 'Correcting' The Merchant of Venice."  In:  Sonia Massai (Hg.). World-Wide Shakespeares: Local Appropriations in Film and Performance.  London/New York: Routledge, 2005.  122-29.

Jones, Maria. "Defining the Alien in The Merchant of Venice." In: Dies. Shakespeare's Culture in Modern Performance. Basingstoke: Palgrave Macmillan, 2003. 57-100.

Kaplan, M. Lindsay. "Jessica's Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice." In: Shakespeare Quarterly 58.1 (2007): 1-30.

Kennedy, Dennis.  Looking at Shakespeare. A Visual History of Twentieth-Century Performance.  Cambridge: Cambridge University Press, 1993.

Kitch, Aaron. "Shylock's Sacred Nation." In: Shakespeare Quarterly 59.2 (2008): 131-155.

Korda, Natasha. "Dame Usury: Gender, Credit, and (Ac)counting in the Sonnets and The Merchant of Venice." In: Shakespeare Quarterly 60.2 (2009): 129-153.

Lelyveld, Toby.  Shylock on the Stage.  London: Routledge & Kegan Paul, 1961.

Lerner, Laurence.  "Wilhelm S and Shylock."  In:  Shakespeare Survey 48 (1995): 61-68.  Wiederabdruck in:  Leah S. Marcus (Hg.).  The Merchant of Venice.  Norton Critical Edition.  New York: Norton, 2006.  206-217.

Lewalski, Barbara.  "Biblical Allusion and Allegory in The Merchant of Venice." In: Shakespeare Quarterly 13 (1962): 327-343.

MacKay, Maxine. "The Merchant of Venice: a Reflection of the Early Conflict Between Courts of Law and Courts of Equity." In: Shakespeare Quarterly 15.4 (1964): 371-375.

Mahon, John W., und Ellen Macleod Mahon (Hg.).  The Merchant of Venice: New Critical Essays.  New York/London: Routledge, 2002.

Mallin, Eric S. "Jewish Invader and the Soul of the State: The Merchant of Venice and Science Fiction Movies." In: Hugh Grady (Hg.). Shakespeare and Modernity: Early Modern to Millenium. London and New York: Routledge, 2000. 162.

Metzger, Mary J.  "'Now by My Hood, a Gentle and No Jew': Jessica, The Merchant of Venice, and the Discourse of Early Modern English Identity."  In: PMLA 113.1  (1998): 52-63. Moody, Anthony D.  Shakespeare: The Merchant of Venice.  London: Arnold, 1964.

Moisan, Thomas. "'Which Is the Merchant Here, and Which the Jew?': Subversion and Recuperation in The Merchant of Venice." In: Jean E. Howard and Marian F. O'Connor (Hg.).  Shakespeare Reproduced: The Text in History and Ideology. New York: Methuen, 1987. 188-206.

Morevski, Abraham.  Shylock and Shakespeare.  St. Louis, MO: Fireside Books, 1967.

Nevo, Ruth.  Comic Transformations in Shakespeare.  1980.  Routledge Library Editions.  Abingdon: Routlege, 2005.  –  Siehe bes. 115-141 ("Jessica's Monkey; or, The Goodwins").

Newman, Karen.  "Portia's Ring: Unruly Women and the Structure of Exchange in The Merchant of Venice."  In: Shakespeare Quarterly 38 (1987): 19-33.

Normand, Lawrence. "Reading the Body in The Merchant of Venice." In:  Textual Practice  5:2 (1991).  55-73.

Oldrieve, Susan.  "Marginalized Voices in The Merchant of Venice." In: Cardozo Studies in Law and Literature 5.1 (1993): 87-105.

Orgel, Stephen.  "Imagining Shylock."  In:  Ders. Imagining Shakespeare: A History of Texts and Visions.  Houndsmills: Palgrave, 2003.  144-162.

Oz, Avraham.  "Transformations of Authenticity: The Merchant of Venice in Israel 1936-1980."  In: Shakespeare Jahrbuch (West) (1983): 165-177.

Oz, Avraham.  "Transformations of Authenticity: The Merchant of Venice in Israel."  In:  Dennis Kennedy (Hg.).  Foreign Shakespeare: Contemporary Performance.  Cambridge: Cambridge University Press, 1993.  56-75.  Wiederabdruck in:  Leah S. Marcus (Hg.).  The Merchant of Venice.  Norton Critical Edition.  New York: Norton, 2006.  321-331.

Patterson, Steve. "The Bankruptcy of Homoerotic Amity in Shakespeare's Merchant of Venice." In: Shakespeare Quarterly 50.1 (1999): 9-32.

Platt, Peter G. Shakespeare and the Culture of Paradox. Studies in Performance and Early Modern Drama.  Farnham: Ashgate, 2009. -- See esp.: "'The Meruailouse Site': Shakespeare, Venice, and the Paradox of Place." (57-93) and "'To Do a Great Right. Do a Little Wrong' or Gaining by Relaxing: Equity and Paradox in The Merchant of Venice and Measure for Measure" (95-137).

Preußer, Heinz-Peter. "Europäische Phantasmen des Juden: Shylock, Nathan, Ahasver". In: Helmut Schmitz (Hg.). Von der nationalen zur internationalen Literatur. Amsterdamer Beiträge zur neueren Germanistik 69. 337-358.

Rabkin, Norman. "Meaning and Shakespeare."  In:  Clifford Leech und J. M. R. Margeson (Hg.).  Shakespeare 1971: Proceedings of the World Shakespeare Congress, Vancouver, August 1971.  Toronto: University of Toronto Press, 1972.  89-106.

Ray, Mohit K. "Shakespeare's Construction of the Jew." In: Sabine Coelsch-Foisner and György E. Szönyi (Hg.). 'Not of an Age, but for All Time': Shakespeare across Lands and Ages: Essays in Honour of Holger Klein on the Occasion of His 66th Birthday. Wien: Braunmüller, 2004.  55-63.

Ripley, John. "Sociology and Soundscape: Herbert Beerbohm Tree's 1908 Merchant of Venice." In: Shakespeare Quarterly 56.4 (2005): 385-410.

Rosenberg, Edgar.  From Shylock to Svengali: Jewish Stereotypes in English Fiction.  1960.  London: Peter Owen, 1961.

Shapiro, James S.  Shakespeare and the Jews.  New York: Columbia University Press, 1996.

Shapiro, James S. "Which is The Merchant here and which The Jew?: Shakespeare and the Economics of Influence." In: Shakespeare Studies 20 (1980): 269-279.

Shapiro, Michael.  "The Merchant of Venice after the Holocaust, or Shakespearean Romantic Comedy Meets Auschwitz."  In:  Cithara: Essays in Judeo-Christian Tradition 46.1 (2006): 3-23.

Shapiro, Michael.  How Shylock Became Fagin's Cousin: The Jewish Old Clothes Man in Shakespeare, Dickens, and Victorian Burlesque Theatre. Paper presented at UCSC on February 7, 2007.  Santa Cruz: The Jewish Studies Programme and the Dickens Project at UCSC, 2009.

Shell, Marc.  "'The Weather and the Ewe': Verbal Usury in The Merchant of Venice." Kenyon Review 1.4 (1979): 65-92.

Sisk, John P. "Bondage and Release in The Merchant of Venice." In: Shakespeare Quarterly 20.2 (1969): 217-223.

Slights, Camille. "In Defense of Jessica: The Runaway Daughter in The Merchant of Venice." In: Shakespeare Quarterly 31.3 (1980): 357-368.

Smith, Warren D. "Shakespeare’s Shylock." In: Shakespeare Quarterly 15.3 (1964): 193-199.

Tanner, Tony.  "'Which Is the Merchant Here? And Which the Jew?' The Venice of Shakespeare's Merchant of Venice."  In:  Manfred Pfister und Barbara Schaff (Hg.).  Venetian Views, Venetian Blinds: English Fantasies of Venice.  Amsterdam: Rodopi, 1999.  45-62.

Turner, Henry S. "The Problem of the More-than-One: Friendship, Calculation, and Political Association in The Merchant of Venice." In: Shakespeare Quarterly 57.4 (2006): 413-442.

Wheeler, Thomas (Hg.).  The Merchant of Venice: Critical Essays.  New York: Garland, 1991.