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Univ.-Prof. Dr. phil. Andrew James Johnston

Prof. Dr. Johnston

Institut / Einrichtungen:

Fachgebiet / Arbeitsbereich:

Literaturwissenschaft

Professor

Adresse
Habelschwerdter Allee 45
Raum JK 29/226
14195 Berlin
Sekretariat
+49 30 838 723 22
Telefon
+49 30 838 723 53
Fax
(030) 838-4723 53
E-Mail
ajjohnst@zedat.fu-berlin.de
Homepage
userpages.fu-berlin.de/~ajjohnst/

Sprechstunde

Bitte informieren Sie sich über die aktuellen Sprechstundentermine.

Aktuelle Funktionen und Aufgabenbereiche

W3-Professur für Englische Philologie mit einem Schwerpunkt Literatur des Mittelalters und der Renaissance

EXC 'Temporal Communities' Co-Sprecherschaft gemeinsam mit Prof. Dr. Anne Eusterschulte

Vita

2019- Cluster Director (together with Anita Traninger) of the Cluster of Excellence Temporal Communities: Doing Literature in a Global Perspective (EXC 2020 Temporal Communities)
2016- Mitglied der DFG-Forschergruppe 2305 Diskursivierungen von Neuem an der FU Berlin, Teilprojekt 02 (zusammen mit Prof. Dr. Wolfram Keller, Humboldt-Universität zu Berlin): "Troynovant Revisited. Strategische Hybridisierungen in den konkurrierenden Antikentraditionen der englischen Literatur zwischen ca. 1380 und 1680"
2015-  Assoziiertes Mitglied der Kolleg-Forschergruppe Cinepoetics an der FU Berlin
2012- Assoziiertes Mitglied der Kolleg-Forschergruppe BildEvidenz an der FU Berlin
2012- Stellvertretender Sprecher DFG-Sonderforschungsbereich 980 Episteme in Bewegung: Wissenstransfer von der Alten Welt bis in die Frühe Neuzeit
2011-2015 Prodekan für Forschung des Fachbereichs Philosophie und Geisteswissenschaften der Freien Universität Berlin
2009-2011 Geschäftsführender Direktor des Instituts für Englische Philologie an der Freien Universität Berlin 
2009-2011 Sprecher des Interdisziplinären Zentrums Mittelalter - Renaissance - Frühe Neuzeit an der Freien Universität Berlin
2009 Ruf an die Heinrich-Heine-Universität Düsseldorf auf die W3-Professur für Ältere Anglistik (abgelehnt)
2006 W3-Professur für Englische Philologie mit einem Schwerpunkt Literatur des Mittelalters und der Renaissance an der Freien Universität Berlin
2005 Habilitation an der Technischen Universität Dresden: "Performing the Middle Ages from Beowulf to Othello"
2004 Juniorprofessur für Literatur des Mittelalters an der Humboldt-Universität zu Berlin
1999-2003 Wissenschaftlicher Assistent an der Freien Universität Berlin
1998 Dissertation an der Freien Universität
1995-1999 Wissenschaftlicher Mitarbeiter an der Freien Universität Berlin
1994-95 Visiting Affiliate Graduate Research Student an der Yale University

Professional Activities (selected)

2022 -              Co-editor of Anglia (with Ursula Lenker, Martin Middeke, Gabriele Rippl and Daniel Stein)

2015 -              Stellvertretender Sprecher der Friedrich Schlegel Graduiertenschule

2015 -              Member, Editorial Board, Frühmittelalterliche Studien

2012 - 2021     Member, Editorial Advisory Board, Anglia

2012 -              Series Advisor, Manchester Medieval Literature and Culture

2009 - 2019     Mitglied im Beirat des Mediävistenverbands

2008 -              Mitglied der Friedrich Schlegel Graduiertenschule

News

keine aktuellen Meldungen

Termine

keine aktuellen Termine

Zur Übersicht:

http://www.geisteswissenschaften.fu-berlin.de/we06/index.html

Wintersemester 2019/2020

  • 17454 -C- Englische Philologie Colloquien: Doktorandencolloquium

Sommersemester 2019

  • 17316 -PS- Surveying English Literatures II: Jane Austen

  • 17332 -PS- Medieval English Literatures II: The Canterbury Tales

  • 17443 -C- Englische Philologie Colloquien: Doktorandencolloquium

Wintersemester 2018/2019

  • 17451 -C- Englische Philologie Colloquien: Research Colloquium

Sommersemester 2018

  • 17316 -PS- Surveying English Literatures II: Espionage Fiction

  • 17347 -V- Literatures of Medieval Britain: Modernity and Alterity in the Literatures of Medieval Britain I:Deploying the Dead

  • 17358 -S- Culture-Gender-Media II: The Medieval Motion Picture

  • 17393 -HS- Medieval English Literatures: Beowulf

  • 17394 -MÜ- Medieval English Literatures: The Middle Ages and Theory

  • 17425 -C- Englische Philologie Colloquien: Doktorandenkolloquium

Wintersemester 2017/2018

  • 17331 -PS- Medieval English Literatures II: Robin Hood

Sommersemester 2017

  • 17315 -GK- Surveying English Literatures I

  • 17322 -PS- Surveying English Literatures II: The Beauty of Survival - Writing the Second World War

  • 17326 -PS- Medieval English Literatures II: The Rise and Fall of Camelot: Sir Thomas Malory

  • 17393 -HS- Medieval English Literatures: The Canterbury Tales: The Gentils

  • 17394 -MÜ- Medieval English Literatures: The Canterbury Tales: The Churls

  • 17425 -C- Englische Philologie Colloquien: Doktorandenkolloquium

Wintersemester 2016/2017

Forschungssemester

Sommersemester 2016

  • 17352 -S- Literatures of Medieval Britain: Modernity and Alterity in the Literature of Medieval Britain II: The Pearl Poet

  • 17355 -S- Literary Studies: Periods - Genres - Concepts: The Historical Novel

  • 17397 -HS- Medieval English Literatures: Troilus and Criseyde

  • 17398 -MÜ- Medieval English Literatures: The House of Fame

  • 17453 -C- Englische Philologie Colloquien: Doktorandenkolloquium

Wintersemester 2015/2016

  • 17317 -PS- Surveying English Literatures II: Jane Austen

  • 17325 -PS- Introduction to Cultural Studies II: Pomp and Circumstance: Filming the Monarchy

  • 17333 -PS- Medieval English Literatures II: The Canterbury Tales

  • 17348 -VS- Modernity and Alterity in the Literatures of Medieval Britain II: J.R.R. Tolkien

  • 17453 -C- Englische Philologie Colloquien: Doktorandenkolloquium

Für frühere Semester siehe http://userpages.fu-berlin.de/~ajjohnst/teaching.html

Arbeitsschwerpunkte

  • Excellence Cluster Temporal Communities – Doing Literature in a Global Perspective (EXC 2020) (Cluster Director) (2019-)

    The principal aim of the Cluster is to create a novel theoretical and methodological take on literature in a global perspective; a global perspective defined most significantly through its ineluctable links to temporality. This take moves beyond the traditional categories of nation and era, conceiving of literature instead as a transcultural and transtemporal phenomenon in deep time.

    Assuming that literature is a fundamentally performative and intermedial phenomenon – rather than a merely textual one – a form of social action taking place in complex networks of human and non-human agents, something that humans do and that exists only because humans do it, the Cluster studies how literature becomes global through its temporal entanglements. Introducing the notion of “temporal communities,” the Cluster investigates the ways in which literature reaches out through space and time by establishing extensive transtemporal networks, networks in which the very notion of literature itself, both as an aesthetic and a social praxis, is constantly re-constituted as it interacts with other arts and media, with all manner of institutions and material conditions. “Temporal Communities” thus are the sites where the multifarious entanglements that literary phenomena enter into resonate in and through time, sometimes even spanning millennia.

    Moderator and Member of Research Area 3, “Future Perfect”:

    The research area explores literature’s ability to construct complex temporalities of its own, shaping temporal communities potentially over long expanses of time. RA 3 focuses on literature’s involvement in imagining as well as participating in diverse, often multiple temporalities. It studies how literary texts imagine their own reception in the future and forge temporal communities for themselves. How do cultural practices such as philology construct temporalities, e.g. by establishing chronologies or freezing textual objects in zones of radical synchronicity? How is literary history constituted through teleological narratives?

  • HERA-Project (Humanities in the European Research Area) DEEPDEAD: Deploying The Dead: Artefacts and Human Bodies in Socio-Cultural Transformations (2016-2019)

    The past persists in material objects, perhaps most profoundly in the bodies of the long-dead and the artefacts associated with them. Such bodies, like those of Richard III and Cervantes, are erupting into view in contemporary Europe with increasing frequency. Whilst offering opportunities for education and the promotion of heritage, such encounters with the dead can also pose unsettling questions about cultural identity, the collective past, and the shape of time.

    Why do the long-dead become flashpoints of identity for the living? Harnessing the disciplines of literature and archaeology, DEEPDEAD will examine historic and prehistoric encounters with human remains and related artefacts in England and Central Europe in order to shed light on their cultural and social power. Through a series of case studies juxtaposing distinct eras, cultures, and modes of recording the encounter, the project will reveal what is constant and what is locally and historically specific in our ways of interacting with the long-dead. Our research will explore the relationship between long-dead bodies and myths of national or community origin, and the ways in which they have been used to reinforce or challenge historical narratives. The project will thus lead to a better understanding of why these forms of matter provoke such a range of responses, and how stakeholders including archaeologists, curators, policy-makers, and the public might better anticipate and understand the reactions they elicit.

  • DFG-Research Project 2305 Discursivisations of the New. Tradition and Renewal in Medieval and Pre-modern Texts (2016- )

    The discussion about the authority of the Past and the right of the New has been repeatedly marked as the watershed moment between pre-modernity and the modern.Pitted against this backdrop several individual studies have suggested that, rather than presuming a radical break, longer periods of time and complex agency would also have to be considered.

    The research unit “The Discursivation of the New. Tradition and Renewal in Medieval and Pre-modern Texts” aims to create a systematic foundation for individual research. By analysing predominantly literary texts of differing European language and cultural spheres - ranging from the 12th to the 18th century - the question of how these texts negotiate the relationship between Old and New will be explored, theoretically and in practice.

  • Collaborative Reasearch Centre (CRC) 980 Episteme in Motion. Transfer of Knowledge from the Ancient World to the Early Modern Period (2012- )

    Project B01: “Artefacts, Treasures and Ruins - Materiality and Historicity in the Literature of the English Middle Ages”, Head of Concept Group II: “Time and Historicity”

    It is the central hypothesis of the project that the representation of archaeological objects – ruins, treasures and especially (fragmentary) archaeological artefacts – in the literature of the English and Scottish Middle Ages generates alternative discourses of historical knowledge which are not voiced in the historiographical grands récits of the Christian Middle Ages. They go beyond these master narratives and potentially question them in the form of a counter-discourse.

  • DFG-Project Ekphrasis and Literariness (2008-2011)

    Ekphrasis: Literariness and Tradition in Late Medieval and Early Modern Literature

    The literary studies project, which is part of the work of the ‘Topics and Tradition’ interdisciplinary research group, examines the topos of ekphrasis in late Medieval and Early Modern literature.

    The focus is the question of how ekphrasis generates new and theoretical, yet largely implicit knowledge of representation. It examines how this knowledge, which is developed by making conscious use of tradition, plays a vital role in staging literariness in English language writing in the late medieval and Early Modern periods, and how this knowledge can be used in the discussion of tradition itself.

  • Project in the Excellence Cluster Languages of Emotion (2008-2010)

    Passion and Distinction: Functions of Love in English Literature in the Late Middle Ages and Early Modern Period

    The 14th century witnesses the development in England of a literary field in Bourdieu’s sense. Central issues of literariness are negotiated via a discourse of courtly love which finds its most ambitious expression in Geoffrey Chaucer’s romance Troilus and Criseyde (c. 1385). Here love is established as a kind of umbrella emotion which integrates and generates other emotions, such as fear, hope, or mourning. Chaucer’s text scrutinizes love both in terms of its textual and narrative genesis and in terms of its being socially and culturally constructed. Moreover, the romance elevates love to a privileged site for discussing the problem of subjectivity.

    As we see how the generation, development and encoding of the emotion are placed at the centre of attention we understand how the narrative production of complex emotional phenomena turns into a marker of literariness as well as into an element of social distinction. It does not, therefore, come as a surprise that Troilus and Criseyde succeeds in retaining its status as a model text for questions of courtly love until well into the Renaissance.

    This project seeks to analyse first, the process according to which a broad Chaucerian textual tradition makes use of Troilus and Criseyde for the purposes of giving expression to and critiquing increasingly complex notions of emotion, and second, how that same tradition becomes the site on which the emotions are conceptualized not only as literary phenomena but also as phenomena which participate in defining the very idea of literariness.

Monographien

  • Beowulf global: Konstruktionen historisch-kultureller Verflechtungen im altenglischen Epos. Zürich: Chronos Verlag, 2022.
  • Robin Hood. Geschichte einer Legende, München: C. H. Beck, 2013.

    Translation into Turkish: Robin Hood: Bir Efsanenin Tarihi, translated by: Özlem Gerguş, Istanbul: Runik Kitap, 2022.

  • Performing the Middle Ages from 'Beowulf' to 'Othello', Turnhout, Belgium: Brepols, 2008.
  • Clerks and Courtiers: Chaucer, Late Middle English Literature and the State Formation Process, Heidelberg: Winter, 2001.

Romane

  • Caesar und Calpurnia, Frankfurt a. M.: Fischer, 2004 [paperback edition, hardback published by Krüger Verlag, Frankfurt a.M., 2002].
  • Das Vermächtnis der Bourbonen, Frankfurt a. M.: Fischer, 2001 [paperback edition, hardback published by Europa Verlag, Hamburg, 1999, original title: Talleyrand oder die feine Kunst der Intrige].

 

Herausgeberschaft

  • With Wolfram R. Keller and Henry Ravenhall (eds.), Special Issue: Touching Troy, Anglia 142,3 (2024), 419-572.

  • With Mira Becker-Sawatzky, Şirin Dadaş, Anne Eusterschulte, Falk Quenstedt, Claudia Reufer, Hanna Zoe Trauer, Christian Vogel, Katrin Wächter & Helge Wendt, Logbuch Wissensgeschichte, Episteme in Bewegung 36, Wiesbaden: Harrassowitz Verlag, 2024.

  • With Jan-Peer Hartmann (eds), Material Remains: Reading the Past in Medieval and Early Modern British Literature, Columbus: The Ohio State University Press, 2021.
  • With Margitta Rouse and Wilhelm Schmidt-Biggemann (eds), Transforming Topoi: The Exigencies and Impositions of Tradition, Göttingen: V&R unipress, 2018.
  • With Kai Wiegandt (eds), The Return of the Historical Novel? Thinking about Fiction and History After Historiographic Metafiction, Heidelberg: Universitätsverlag WINTER, 2017.
  • With Russell West-Pavlov and Elisabeth Kempf (eds), Love, history and emotion in Chaucer and Shakespeare: Troilus and Criseyde and Troilus and Cressida, Manchester: Manchester University Press, 2016.
  • With Ethan Knapp and Margitta Rouse (eds), The Art of Vision: Ekphrasis in Medieval Literature and Culture, Columbus: Ohio State University Press, 2015.
  • With Margitta Rouse and Philipp Hinz (eds), The Medieval Motion Picture: The Politics of Adaptation, New York: Palgrave Macmillan, 2014.
  • With Ute Berns (eds), European Journal of English Studies 15,2 (2011) [= Special Issue "Medievalism"].
  • With Winfried Rudolf and Thomas Honegger (eds), Clerks, Wives and Historians: Essays on Medieval English Language and Literature, Sammlung/Collection Variations Vol. 8, Bern etc.: Peter Lang, 2007.
  • With Ferdinand von Mengden and Stefan Thim (eds), Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology, Heidelberg: Winter, 2006 [= Festschrift Dietz].
  • With Ulrike Schneider (eds), Anglo-Romanische Kulturkontakte, Berlin: Dahlem University Press, 2002.

Aufsätze

  • With Wolfram R. Keller and Henry Ravenhall, "Introduction: Touching Troy", in: Andrew James Johnston, Wolfram R. Keller and Henry Ravenhall (eds.), Special Issue: Touching Troy, Anglia 142,3 (2024), 419-27.

  • With Jan-Peer Hartmann, "Touching the Franks Casket: Global History and the Trojan Past on an Early Medieval English Object", in: Andrew James Johnston, Wolfram R. Keller and Henry Ravenhall (eds.), Special Issue: Touching Troy, Anglia 142,3 (2024), 428-45.

  • ",Widsith' und die Geburt der altenglischen Lyrik aus dem Geist der Epik". Mittelalterliche Lyrik im Kontext, edited by Beate Kellner and Alexander Rudolph, Berlin, Boston: De Gruyter, 2024, pp. 175-188.

  • With Jan-Peer Hartmann, "Achilles oder Egil. Globale Wissensgeschichten im Franks Casket", in: Mira Becker-Sawatzky et al. (eds): Logbuch Wissensgeschichte, Episteme in Bewegung 36, Wiesbaden: Harrassowitz Verlag, 2024, 618-37.

  • With Anne Eusterschulte, "Vorrede Logbuch Wissensgeschichte: Konzeptuelle Einleitung in die Arbeit des Forschungsverbundes", in: Mira Becker-Sawatzky et al. (eds.): Logbuch Wissensgeschichte, Episteme in Bewegung 36, Wiesbaden: Harrassowitz Verlag, 2024, 1-21.

  • "'Distreynen': Von den verborgenen politischen Subtexten in Chaucers Parliament of Fowles", Susanne Köbele, Tim Huber und Tatiana Hirschi (eds.), Liebesallegorien: Spielformen eines altneuen Faziniationstyps zwischen Abstraktion und Hyperkonkretion, Berlin: Walter de Gruyter, 2024, 195-208.

  • "The Temporal Politics of Chaucerian Ekphrasis and the Beginnings of Trecento Art History", Neil Murphy, W. Michelle Wang and Cheryl Julia Lee (eds.), The Routledge Companion to Literature and Art, Abingdon: Routledge, 2024, 149-59.

  • With Wolfram Keller, “Classical Antiquity”, in: Richard Newhauser et al. (eds.), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. II, 421-26.

  • "The 'Matter of England'", in: Helen Cooper and Robert R. Edwards, ed., The Oxford History of Poetry in English: Volume 2. Medieval Poetry: 1100-1400, Oxford: Oxford University Press, 2023, pp. 356-71.
  • "Beowulf Fluten: Die Archäologie der Sintflut im altenglischen Epos", in: Andreas Höfele/Beate Kellner (eds.): Naturkatastrophen: Deutungsmuster vom Altertum bis in die Frühe Neuzeit, Paderborn: Brill Fink, 2023, 139-52. 
  • "Reading the Fair Maid of Astolat: Editorial Practice, Performative Emotionality, and Communal Forms of Reading", in: Daniel Donoghue/James Simpson/Nicholas Watson/Anna Wilson (eds.): The Practice and Politics of Reading, 650-1500, Cambridge: D.S. Brewer, 2022, 228-45.

  • "In the Space of a List - Widsith's Global Modernism", Eva von Contzen/James Simpson (eds), Enlistment: Lists in Medieval and Early Modern Literature, Columbus: The Ohio State University Press, 2022, 35-54.

  • “Anachronic Entanglements: Archaeological Traces and the Event in Beowulf”, in Estella Weiss-Krejci, Sebastian Becker and Philip Schwyzer (eds.), Interdisciplinary Explorations of Postmortem Interaction: Dead Bodies, Funerary Objects, and Burial Spaces Through Texts and Time. Cham: Springer, 2022, 97–112.

  • "Constructing the Poet’s ‘Now’: “Deor’s” Modernist Temporalities", Anglia 140 (2022), 2-18.

  • “‘The Tirauntz of Lumbardye’ and the ‘Viscount of Rome’. Chaucer, Petrarch, Hawkwood, and the Alliterative Morte Arthure”, in Bernhard Huss / Federica Pich ( eds.), Petrarchism, Paratexts, Pictures: Comunità culturali nel rinascimento. Florence: Franco Cesati Editore, 2022, 77–92.

  • "Epochengrenzen in der Literaturgeschichte: System und Verflechtung", in Klaus W. Hempfer/Valeska von Rosen (eds.), Multiple Epochisierungen: Literatur und Bildende Kunst 1500-1800. Berlin: Metzler/Springer Nature, 2021, 87-99.

  • "Global Beowulf and the Poetics of Entanglement", in Material Remains: Reading the Past in Medieval and Early Modern British Literature, Columbus: The Ohio State University Press, 2021, 150-174.
  • With Jan-Peer Hartmann "Introduction: Reading the Past through Archaeological Objects", in Material Remains: Reading the Past in Medieval and Early Modern British Literature, Columbus: The Ohio State University Press, 2021, 1-26.
  • "The Aesthetics of 'Wawes Grene': Planets, Painting and Politics in Chaucer's Knight's Tale", Helen Fulton (ed), Chaucer and Italian Culture, Cardiff: University of Wales Press, 2021, 145-168.
  • "Chaucer and Beowulf in Germany and the Survival of International Medieval Studies", New Chaucer Studies: Pedagogy and Profession 1,1 (2020), 18-25.
  • "Globalität", Michael Gamper/Helmut Hühn/Steffen Richter (eds), Formen der Zeit: Ein Wörterbuch der ästhetischen Eigenzeiten, Ästhetische Eigenzeiten 16, Hannover: Wehrhahn Verlag, 2020, 177-184.
  • “Beowulf as Anti-Virgilian World Literature. Archaeology, Ekphrasis, and Epic”, Irina Dumitrescu/Eric Weiskott (eds), The Shapes of Early English Poetry: Style, Form, History, Medieval Institute Publications, Berlin, Boston, DeGruyter, 2019, 37-58.
  • “Den Rahmen sprengen. Die Canterbury Tales von Geoffrey Chaucer”, Christoph Kleinschmitt/Uwe Japp (eds), Der Rahmenzyklus in den europäischen Literaturen: Von Boccaccio bis Goethe, von Chaucer bis Gernhardt, Heidelberg: Universitätsverlag WINTER, 2018, 41-57.
  • "Varianten des Tragischen in Chaucers Troilus and Criseyde", Regina Toepfer (ed), Tragik und Minne, Heidelberg: Universitätsverlag WINTER, 2017, 207-224.
  • “Material Studies”, Leah Tether/Johnny McFadyen (eds), Handbook of Arthurian Romance: King Arthur's Court in Medieval European Literature, Berlin, Boston: De Gruyter, 2017, 225-238.
  • “Hilary Mantel, The Thomas Cromwell Triology (2012-)”, Christoph Reinfandt (ed), Handbook of the English Novel in the Twentieth and Twenty-First Centuries, Berlin, Boston: De Gruyter, 2017, 536-554.
  • “Perikles und die Heimkehr in die Vergangenheit”, Frank Günther (ed), Perikles, Fürst von Tyrus, Cadolzburg: ars vivendi, 2017, 259-83.
  • “Atonement - Ian McEwan's Canterbury Tale?”, Andrew James Johnston/Kai Wiegandt (eds),The Return of the Historical Novel? Thinking about Fiction and History After Historiographic Metafiction, Heidelberg: Universitätsverlag WINTER, 2017, 145-162.
  • With Kai Wiegandt, “Introduction”, Andrew James Johnston/Kai Wiegandt (eds), The Return of the Historical Novel? Thinking about Fiction and History After Historiographic Metafiction, Heidelberg: Universitätsverlag WINTER, 2017, 9-18.
  • “Schriftkommunikation im Beowulf”, Friedrich-Emanuel Focken/Michael R. Ott (eds), Metatexte. Erzählungen von schrifttragenden Artefakten in der alttestamentlichen und mittelalterlichen Literatur, Berlin, Boston: De Gruyter, 2016, 205-216.
  • “Heroic Performance: The Multiple Temporalities of Shakespeare's Robin Hoods”, Shakespeare Jahrbuch 152 (2016), 60-73.
  • “Ein Ritter für die Ewigkeit”, MAG Magazin des Opernhauses Zürich 37 (2016), 10-14.
  • “Gendered Books: Reading, Space and Intimacy in Chaucer’s Troilus and Criseyde”, Andrew James Johnston/ Russell West-Pavlov/ Elisabeth Kempf (eds), Love, History and Emotion in Chaucer and Shakespeare: Troilus and Criseyde and Troilus and Cressida, Manchester: Manchester University Press, 2016.
  • With Russell West-Pavlov, “Introduction: Performing the politics of passion: Troilus and Criseyde and Troilus and Cressida”, Andrew James Johnston/ Russell West-Pavlov/ Elisabeth Kempf (eds), Love, history and emotion in Chaucer and Shakespeare: Troilus and Criseyde and Troilus and Cressida, Manchester: Manchester University Press, 2016.
  • With Margitta Rouse, “Facing the Mirror: Ekphrasis, Vision, and Knowledge in Gavin Douglas’s Palice of Honour”, Andrew James Johnston/Ethan Knapp/Margitta Rouse (eds), The Art of Vision: Ekphrasis in Medieval Literature and Culture, Columbus: Ohio State University Press, 2015, 166-184
  • With Ethan Knapp and Margitta Rouse, “Introduction: The Dynamics of Ekphrasis”, Andrew James Johnston/Ethan Knapp/Margitta Rouse (eds), The Art of Vision: Ekphrasis in Medieval Literature and Culture, Columbus: Ohio State University Press, 2015, 1-17.
  • “Chaucer's Postcolonial Renaissance”, Bulletin of the John Rylands Library Volume 91,2 (2015), 5-20.
  • “Medieval Ekphrasis: Chaucer's Knight's Tale”, in: Gabriele Rippl (ed.) Handbook of Intermediality: Literature - Image - Sound - Music, Handbooks of English and American Studies 1, Berlin/Boston: de Gruyter, 2015, 50-64.
  • “Anglo-Saxon Heroic and Elegiac Poetry: Deor”, Sibylle Baumbach, Birgit Neumann, Ansgar Nünning (eds), A History of British Poetry: Genres-Developments-Interpretations 18, Trier: WVT, 2015, 17-28.
  • “Interpretation von zeitlich und kulturell entfernten Texten”, eisodos 1,2 (2014), 3-9 [interview], www.eisodos.org.
  • “Postcolonial Beowulf”, Howard Chickering/Allen J. Frantzen/R.F. Yeager (eds), Teaching Beowulf in the Twenty-First Century. Medieval and Renaissance Text Studies Vol. 449, Tempe, AZ: Arizona Center for Medieval and Renaissance Studies Publications, 2014, 376-93.
  • “Das Wunder des Historischen: Stephen Greenblatts The Swerve”, Aufklärung: Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte 25 (2013), 287-303 [2014].
  • “Ekphrasis in the Knight's Tale”, Howard Bloch/Alison Calhoun/Jacqueline Cerquiglini-Toulet/Joachim Küpper/Jeanette Patterson (eds), Rethinking the New Medievalism, Baltimore: Johns Hopkins University Press, 2014, 181-97.
  • “Marian Rewrites the Legend: The Temporality of Archaeological Remains in Richard Lester’s Robin and Marian”, Andrew James Johnston/Margitta Rouse/Philipp Hinz (eds), The Medieval Motion Picture: The Politics of Adaptation, New York: Palgrave Macmillan, 2014, 193-212.
  • With Margitta Rouse, “Introduction: Temporalities of Adaptation”, Andrew James Johnston/Margitta Rouse/Philipp Hinz (eds), The Medieval Motion Picture: The Politics of Adaptation, New York: Palgrave Macmillan, 2014, 1-18.
  • “Beowulf und das Problem des absoluten Anfangs: Der Gesang des scop in Heorot”, Udo Friedrich/Andreas Hammer/Christiane Witthöft (eds), Anfang und Ende - Formen narrativer Zeitmodellierung in der Vormoderne, Berlin: Akademie Verlag, 2014, 105-18.
  • “Spatializing Time: The Adventure of Multiple Temporalities in Chaucer’s Man of Law’s Tale”, Martin Baisch/Jutta Eming (eds), Hybridität und Spiel. Der europäische Liebes- und Abenteuerroman von der Antike zur Frühen Neuzeit, Berlin: Akademie Verlag, 2013, 163-73.
  • “St. Erkenwald und die Verfügbarmachung des Unverfügbaren”, Ingrid Kasten (ed.), Paragrana. Internationale Zeitschrift für Historische Anthropologie 21,2 (2012) [= "UnVerfügbarkeit"], 60-76.
  • “The Exigencies of 'Latyn Corrupt': Linguistic Change and Historical Consciousness in Chaucer’s Man of Law’s Tale”, Claudia Lange/Beatrix Weber/Göran Wolf (eds), Communicative Spaces: Variation, Contact, and Change - Papers in Honour of Ursula Schaefer, Frankfurt a. M. etc.: Peter Lang, 2012, 133-46.
  • “Interdisciplinarity and Historiography: Literature”, Alexander Bergs and Laurel Brinton (eds), English Historical Linguistics. Handbücher zur Sprach- und Kommunikationswissenschaft 34, Vol. 2, Berlin: de Gruyter, 2012, 1201-13.
  • “Wrestling in the Moonlight: The Politics of Masculinity in the Middle English Popular Romance Gamelyn”, Stefan Horlacher (ed.), Constructions of Masculinity in British Literature from the Middle Ages to the Present, Basingstoke etc.: Palgrave Macmillan, 2011, 51-67.
  • “Calques and Culture: Revisiting an Issue in Old English Lexical Morphology”, Renate Bauer/Ulrike Krischke (eds), More Than Words: English Lexicography and Lexicology Past and Present. Essays Presented to Hans Sauer on the Occasion of his 65th Birthday - Part I, Frankfurt a. M. etc.: Peter Lang, 2011, 67-79.
  • With Ute Berns, “Medievalism: a Very Short Introduction”, Ute Berns/Andrew James Johnston (eds), European Journal of English Studies 15,2 (2011) [= Special Issue "Medievalism"], 97-100.
  • “Sailing the Seas of Literary History: Gower, Chaucer, and the Problem of Incest in Shakespeare's Pericles”, Poetica 41,3/4 (2009), 381-407.
  • “Geschlechter-Lektüren: Emotion und Intimität in Chaucers Troilus and Criseyde”, Ingrid Kasten (ed.), Machtvolle Gefühle, Berlin: de Gruyter, 2010, 246-61.
  • “Amazing Grace: Saint and Sinners in Lars von Trier's Dogville”, Dina De Rentiis/Christoph Houswitschka (eds), Healers and Redeemers: The Reception and Transformation of their Medieval and Late Antique Representations in Literature, Film and Music, Trier: Wissenschaftlicher Verlag Trier, 2010, 101-17.
  • “(Un)sichtbare (Un)vollkommenheit: Zahlensymbolik und Antikenbezug in Sir Gawain and the Green Knight”, Verena Olejniczak Lobsien/Claudia Olk/Katharina Münchberg (eds), Vollkommenheit. Ästhetische Perfektion in Antike, Mittelalter und früher Neuzeit, Berlin: de Gruyter, 2010, 75-90.
  • “Subjectivity and the Ekphrastic Prerogative: Emilia’s Soliloquy in The Two Noble Kinsmen”, Ute Berns (ed.), Solo Performances: Staging the Early Modern Self in England, Amsterdam: Rodopi, 2010, 49-65.
  • “Hoccleves Wahnsinn: Vom Nutzen der autobiographischen Fiktion für das Erzählen”, Ulrike Schneider/Anita Traninger (eds), Fiktionen des Faktischen in der Renaissance, Stuttgart: Franz Steiner, 2010, 75-98.
  • “'Rum, Ram, Ruf': Chaucer and Linguistic Whig History”, Claudia Lange/Ursula Schaefer/Göran Wolf (eds), Linguistics, Ideology and the Discourse of Linguistic Nationalism, Frankfurt a. M. etc.: Peter Lang, 2010, 37-51.
  • With Hans Sauer, “Borders and Transitions: Introduction”, Lars Eckstein/Christoph Reinfandt (eds), Anglistentag 2008 Tübingen: Proceedings, Proceedings of the Conference of the German Association of University Teachers of English, Volume XXX, Trier: Wissenschaftlicher Verlag Trier, 2009, 107-13.
  • “Beowulf and the Remains of Imperial Rome: Archaeology, Legendary History and the Problems of Periodisation”, Lars Eckstein/Christoph Reinfandt (eds), Anglistentag 2008 Tübingen: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, Vol. XXX, Trier: Wissenschaftlicher Verlag Trier, 2009, 127-36.
  • “Chaucer's Pardoner - die Geburt der Literatur aus dem Geist der Orthodoxie”, Peter Strohschneider (ed.), Literarische und religiöse Kommunikation in Mittelalter und Früher Neuzeit. DFG-Symposion 2006, Berlin: Walter de Gruyter, 2009, 817-43.
  • “Medialität in Beowulf”, Germanisch-Romanische Monatsschrift 59,1 (2009), 129-47.
  • “The Crisis of Medieval English Studies in Germany: Problems and Perspectives”, Ansgar Nünning/Jürgen Schlaeger (eds), English Studies Today: Recent Developments and New Directions, Trier: Wissenschaftlicher Verlag Trier, 2007, 67-94.
  • “Literary Politics in Debate: Chaucer's Parliament of Fowls and Clanvowe's Book of Cupid”, Sabine Volk-Birke/Julia Lippert (eds), Anglistentag 2006 Halle: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, Vol. XXVIII, Trier: Wissenschaftlicher Verlag Trier, 2007, 147-57.
  • “Thomas Lovell Beddoes and the Vampires of History: Reading the Poet's German Prose”, Ute Berns/Michael Bradshaw (eds), Thomas Lovell Beddoes: New Critical Essays, Aldershot: Ashgate, 2007, 165-75.
  • “Caedmons mehrfache Anderssprachigkeit: Die Urszene der altenglischen Literatur im Spannungsfeld frühmittelalterlicher Sprach- und Kulturgegensätze”, Susan Arndt/Dirk Naguschewski/Robert Stockhammer (eds), Exophonie. Anders-Sprachigkeit (in) der Literatur, Berlin: Kadmos, 2007, 66-86.
  • With Claudia Lange, “The Beginnings of Standardization - An Epilogue”, Ursula Schaefer (ed.), The Beginnings of Standardization. Language and Culture in Fourteenth-Century England, Frankfurt a. M. etc.: Peter Lang, 2006, 183-200.
  • With Ferdinand von Mengden and Stefan Thim, “Introduction”, Andrew James Johnston/Ferdinand von Mengden/Stefan Thim (eds), Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology, Heidelberg: Winter, 2006 [= Festschrift Dietz], 7-9.
  • “The Riddle of Deor and the Performance of Fiction”, Andrew James Johnston/Ferdinand von Mengden/Stefan Thim (eds), Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology, Heidelberg: Winter, 2006 [= Festschrift Dietz], 133-50.
  • “Ästhetische Strategien und ethische Vielfalt”, Thomas Honegger/Frank Weinreich (eds), Eine Grammatik der Ethik: Die Aktualität der moralischen Dimension in J. R. R. Tolkiens literarischem Werk, Saarbrücken: Verlag der Villa Fledermaus, 2005, 89-109.
  • “Walter's Two Bodies: Power and Agency in Chaucer's Clerk's Tale”, Lilo Moessner et al. (eds), Anglistentag 2004 Aachen: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, Vol. XXVI, Trier: Wissenschaftlicher Verlag Trier, 2005, 19-29.
  • “Mediävistik, Postcolonial Studies und Frühneuzeitforschung: Perspektiven des Othering”, Gabriele Knappe (ed.), Englische Sprachwissenschaft und Mediävistik: Standpunkte - Perspektiven - Neue Wege, Bamberger Beiträge zur Englischen Sprachwissenschaft 48, Frankfurt a. M. etc.: Peter Lang, 2005, 305-24.
  • “The Secret of the Sacred: Confession and the Self in Sir Gawain and the Green Knight”, Tobias Döring/Susanne Rupp (eds), Performances of the Sacred in Late Medieval and Early Modern England, Amsterdam: Rodopi, 2005, 45-63.
  • “Filming the Seven Deadly Sins - Chaucer, Hollywood and the Postmodern Middle Ages”, Thomas Honegger (ed.), Riddles, Knights and Cross-dressing Saints: Essays on Medieval English Language and Literature, Sammlung/Collection Variations 5, Bern: Peter Lang, 2004, 1-33.
  • “The Keyhole Politics of Chaucerian Theatricality: Voyeurism in the Knight's Tale”, Poetica 34 (2002), 73-97.
  • “The Exegetics of Laughter: Religious Parody in the Miller's Tale”, Manfred Pfister (ed.), A History of English Laughter: Laughter from Beowulf to Beckett and Beyond, Amsterdam: Rodopi, 2002, 17-33.
  • With Ulrike Schneider, “Einleitung: Anglo-Romanische Kulturkontakte”, Andrew James Johnston/Ulrike Schneider (eds), Anglo-Romanische Kulturkontakte, Berlin: Dahlem University Press, 2002, 9-20.
  • With Marc Föcking, “Griseldas neue Kleider: Petrarca, Boccaccio, Chaucer”, Andrew James Johnston/Ulrike Schneider (eds), Anglo-Romanische Kulturkontakte, Berlin: Dahlem University Press, 2002, 21-50.
  • “Wrestling with Ganymede: Chaucer's Knight's Tale and the Homoerotics of Epic History”, Germanisch-Romanische Monatsschrift 50 (2000), 21-43.
  • “Chaucer, Galilei, Brecht: Sprache und Diskurs im Leben des Galilei”, Jörg Döring/Walter Delabar (eds), Bertolt Brecht (1898-1956), Memoria I, Berlin: Weidler, 1998, 239-64.

Lexikon- und Wörterbuchartikel

  • "Barnabo Viscounte (Bernabò Visconti)", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. I, 175-76.

  • "Chaucer, Geoffrey: Portraits", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. I, 347-48. 

  • "Hawkwood, Sir John", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. II, 868-70.

  • "Hertzberg, W.", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. II, 886-87.

  • "Koch, Johannes (John)", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. III, 1030-31.

  • "Sir Perceval of Galles", in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. IV, 1746-47.

  • "Zupitza, Julius", in: in: Richard Newhauser et al. (eds), The Chaucer Encyclopedia, Oxford: Wiley-Blackwell, 2023, vol. IV, 1998.

  • "John Barbour: The Bruce" (revised), Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "Geoffrey Chaucer: The House of Fame" (revised), Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "Cecil Scott Forester: Captain-Hornblower-Romane" (revised), Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "John Gower: Confessio Amantis" (revised), Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "Patrick O'Brian: Die Aubrey-Maturin-Romane", Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "The Travels of Sir John Mandeville", Kindlers Literatur Lexikon, Heinz Ludwig Arnold (ed.), 3rd ed., Stuttgart: J. B. Metzler, 2009.
  • "Sir John Mandeville", Metzler Lexikon englischsprachiger Autorinnen und Autoren, Eberhard Kreutzer/Ansgar Nünning (eds), Stuttgart: J. B. Metzler, 2002.
  • "Thomas Usk", Metzler Lexikon englischsprachiger Autorinnen und Autoren, Eberhard Kreutzer/Ansgar Nünning (eds), Stuttgart: J. B. Metzler, 2002.

Rezensionen

  • Susan Nakley, Living in the Future: Sovereignty and Internationalism in the Canterbury Tales, Ann Arbor: University of Michigan Press, 2017. The Journal of English and Germanic Philology 119,2 (April 2020), 258-60.

  • Rachel Eisendrath, Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis, Chicago: Chicago University Press, 2018. Renaissance Quarterly 72,3 (2019), 1124-26.

  • Jon Whitman (ed.), Romance and History: Imagining Time from the Medieval to the Early Modern Period, Cambridge Studies in Medieval Literature 92, Cambridge: Cambridge University Press, 2015. Arthuriana 28,1 (2018), 82-83.
  • Isabel Davis and Catherine Nall (eds), Chaucer and Fame: Reputation and Reception, Chaucer Studies 43, Cambridge: Brewer, 2015. Anglia 135,4 (2017), 755-59.
  • Britt Mize, Traditional Subjectivities: The Old English Poetics of Mentality, Toronto Anglo-Saxon Series 12, Toronto: University of Toronto Press, 2013. Anglia 132,4 (2014), 821-28.
  • Susan Yager and Elise E.Morse-Gagné (eds), Interpretation and Performance: Essays for Alan Gaylord, Provo, Utah: The Chaucer Studio Press, 2013. Studies in the Age of Chaucer 36 (2014), 351-54.
  • Brian Cummings and James Simpson (eds), Cultural Reformations: Medieval and Renaissance in Literary History, Oxford: Oxford University Press, 2010. Anglia 131,4 (2013), 657-60.
  • Matthias Eitelmann, Beowulfes Beorh. Das altenglische Heldenepos als kultureller Gedächtnisspeicher, Heidelberg: Winter, 2010. Arbeiten aus Anglistik und Amerikanistik 38,1 (2013), 76-78.
  • Ardis Butterfield, The Familiar Enemy: Chaucer, Language and Nation in the Hundred Years War, Oxford: Oxford University Press, 2009. Anglia 130,2 (2012), 306-308.
  • Renée R. Trilling, The Aesthetics of Nostalgia: Historical Representation in Old English Verse. Toronto Anglo-Saxon Series 3, Toronto: University of Toronto Press, 2009. Anglia 129,3-4 (2011), 479-81.
  • Helen Cooper, Shakespeare and the Medieval World. The Arden Critical Companions, London: A&C Black, 2010. Shakespeare Jahrbuch 148 (2012), 244-45.
  • “Die große Wende” (review of Stephen Greenblatt, Die Wende. Wie die Renaissance begann, München: Siedler, 2012), die tageszeitung, 26. 5. 2012.
  • "Technokrat der Macht" (review of Johannes Willms, Talleyrand. Virtuose der Macht 1754-1838, München: C. H. Beck, 2011), die tageszeitung, 27. 8. 2011.
  • Paul Strohm (ed.), Oxford Twenty-first Century Approaches to Literature: Middle English, Oxford: Oxford University Press, 2007. Anglia 128,3 (2011), 487-89.
  • Scott Gwara, Heroic Identity in the World of Beowulf. Medieval and Renaissance Authors and Texts 2, Leiden/Boston: Brill, 2008. Anglia 128,3 (2011), 498-500.
  • "Immer für eine Affäre gut" (review of Jürgen Peter Schmied, Sebastian Haffner: Eine Biographie, München: C. H. Beck, 2010), die tageszeitung, 9. 10. 2010.
  • Alcuin Blamires, Chaucer, Ethics and Gender, Oxford: Oxford University Press, 2006; John M. Bowers, Chaucer and Langland: The Antagonistic Tradition, Notre Dame: University of Notre Dame Press, 2007. Anglia 127,2 (2009), 336-41.
  • Valentin Groebner, Das Mittelalter hört nicht auf. Über historisches Erzählen, München: C. H. Beck, 2008. Mittellateinisches Jahrbuch 44,1 (2009), 175-78.
  • Rory McTurk, Chaucer and the Norse and Celtic Worlds, Aldershot: Ashgate, 2005; Ananya Jahanara Kabir and Deanne Williams, Postcolonial Approaches to the European Middle Ages: Translating Cultures, Cambridge Studies in Medieval Literature 54, Cambridge: Cambridge University Press, 2005. Anglia 126 (2008), 146-52.
  • Curtis Perry, Literature and Favoritism in Early Modern England, Cambridge: Cambridge University Press, 2006. Shakespeare Jahrbuch 144 (2008), 244-45.
  • "Ein Krieg und kein Kreuzzug" (review of Winston S. Churchill, Kreuzzug gegen das Reich des Mahdi, transl. by Georg Brunold, Frankfurt a. M.: Eichborn, 2008), die tageszeitung, 14. 6. 2008.
  • Elke Koch, Trauer und Identität: Inszenierungen von Emotionen in der deutschen Literatur des Mittelalters, Trends in Medieval Philology 8, Berlin: de Gruyter, Mittellateinisches Jahrbuch 42,3 (2007), 551-54.
  • Thomas G. Duncan (ed.), A Companion to the Middle English Lyric, Cambridge: Brewer, 2005. Archiv für das Studium der neueren Sprachen und Literaturen 244,2 (2007), 381-84.
  • "Richard Münch will einen faireren Wettbewerb in der Forschungsförderung - und bessere Bildung" (review of Richard Münch, Die akademische Elite. Zur sozialen Konstruktion wissenschaftlicher Exzellenz, Frankfurt a. M.: Suhrkamp, 2007), die tageszeitung, 10. 10. 2007.
  • "Ohne Sünde, ohne Kleider" (review of Jacques Le Goff and Nicolas Truong, Die Geschichte des Körpers im Mittelalter, transl. by Renate Warttmann, Stuttgart: Klett-Cotta, 2007), Berliner Zeitung, 31. 7. 2007.
  • "Zwischen Straßenstrich und Spielhaus" (review of Lotte van de Pol, Der Bürger und die Hure: Das sündige Gewerbe im Amsterdam der Frühen Neuzeit, transl. by Rosemarie Still, Frankfurt a. M.: Campus Verlag, 2006), die tageszeitung, 24. 2. 2007.
  • "Das zweitbeste Bett" (review of Peter Ackroyd, Shakespeare. Die Biographie, transl. by Michael Müller und Otto Lucian, München: Knaus, 2006), Berliner Zeitung, 29. 1. 2007.
  • "Ein Gottesurteil von 1386" (review of Eric Jager, Auf Ehre und Tod. Ein ritterlicher Zweikampf um das Leben einer Frau, transl. by Ilse Strasmann, München: DVA, 2006), Berliner Zeitung, 27. 12. 2006.
  • "Gedächtniskultur nach Wunsch" (review of Aleida Assmann, Der lange Schatten der Vergangenheit. Erinnerungskultur und Geschichtspolitik, München: C. H. Beck, 2006), die tageszeitung, 23. 12. 2006.
  • "Eros oder Analyse. Die deutsche Universität ist mit Geld nicht zu retten, findet Jochen Hörisch - sondern nur mit Liebe" (review of Jochen Hörisch: Die ungeliebte Universität, München: Hanser, 2006), Berliner Zeitung, 26. 9. 2006.
  • Mark Miller, Philosophical Chaucer: Love, Sex, and Agency in the Canterbury Tales, Cambridge Studies in Medieval Literature 55, Cambridge: Cambridge University Press, 2004; J. Allan Mitchell, Ethics and Exemplary Narrative in Chaucer and Gower, Chaucer Studies 33, Cambridge: Brewer, 2004; Deanne Williams, The French Fetish from Chaucer to Shakespeare, Cambridge Studies in Renaissance Literature and Culture 47, Cambridge: Cambridge University Press, 2004. Anglia 124 (2006), 350-57.
  • Christopher Cannon, The Grounds of English Literature, Oxford: Oxford University Press, 2004. Prolepsis: The Heidelberg Review of English Studies, 25. 4. 2006, http://www.as.uni-hd.de/prolepsis/06_02_joh.html.
  • "Die Welt als Verschwörung" (review of Peter von Matt, Die Intrige: Theorie und Praxis der Hinterlist, München: Hanser, 2006), die tageszeitung, 25./26. 3. 2006.
  • "Leiden auf dem Herrensitz" (review of Ian Kershaw, Hitlers Freunde in England: Lord Londonderry und der Weg in den Krieg, transl. by Klaus Dieter Schmidt, München: DVA, 2005), die tageszeitung, 19. 10. 2005.
  • "Unverheiratet herrscht es sich besser" (review of Anka Muhlstein, Die Gefahren der Ehe: Elisabeth von England und Maria Stuart, transl. by Ulrich Kunzmann, Frankfurt a. M.: Insel, 2005), Berliner Zeitung, 17. 10. 2005.
  • "Das unsolide Monument" (review of David Cannadine, Winston Churchill: Abenteurer, Monarchist, Staatsmann, transl. by Matthias Wolf, Berlin: Berenberg, 2005), die tageszeitung, 2./3. 7. 2005.
  • "In der falschen Inszenierung" (review of Johannes Willms, Napoleon: Eine Biographie, München: C. H. Beck, 2005), die tageszeitung, 14./15./16. 5. 2005.
  • Renate Bauer, Adversus Judaeos: Juden und Judentum im Spiegel alt- und mittelenglischer Texte, Münchener Universitätsschriften 29, Frankfurt a. M.: Peter Lang, 2003. Anglia 123 (2005), 301-303.
  • "Die Welt als Will und Text" (review of Stephen Greenblatt, Will in der Welt: Wie Shakespeare zu Shakespeare wurde, transl. by Martin Pfeiffer, Berlin: Berlin Verlag, 2004), Berliner Zeitung, 5. 10. 2004.
  • Winthrop Wetherbee, Geoffrey Chaucer: The Canterbury Tales, Cambridge: Cambridge University Press, 2004. Anglia 122 (2004), 689-90.
  • Tom Shippey and Martin Arnold (eds), Film and Fiction: Reviewing the Middle Ages, Studies in Medievalism 12, Cambridge: Brewer, 2003; David Lawton, Wendy Scase and Rita Copeland (eds), New Medieval Literatures 6, Oxford: Oxford University Press, 2003. Anglia 122 (2004), 692-97.
  • Terry Jones, Robert Yeager, Terry Dolan, Alan Fletcher and Juliette Dor, Who Murdered Chaucer? A Medieval Mystery. London: Methuen, 2003. Anglia 122 (2004), 690-92.
  • Edward Berry, Shakespeare and the Hunt: A Cultural and Social Study, Cambridge: Cambridge University Press, 2001. Shakespeare Jahrbuch 140 (2004), 298-99.
  • Annette Kern-Stähler, A Room of One's Own: Reale und mentale Innenräume weiblicher Selbstbestimmung im spätmittelalterlichen England, Tradition-Reform-Innovation: Studien zur Modernität des Mittelalters 3, Frankfurt a. M.: Peter Lang, 2002. Anglia 122 (2004), 308-11.
  • "Das Politische im Unpolitischen" (review of Sebastian Haffner, Das Leben der Fußgänger, München: Hanser, 2004), die tageszeitung, 24./25. 4. 2004.
  • "Brust raus, vor allem aber: Bauch rein" (review of Wolfgang Schmale: Geschichte der Männlichkeit in Europa (1450-1900), Wien: Böhlau, 2003), Berliner Zeitung, 12. 1. 2004.
  • "Eine Insel im Ghetto" (review of Loïc Wacquant, Leben für den Ring. Boxen im amerikanischen Ghetto, transl. by Jörg Ohnacker, edition discours 35, Konstanz: Universitätsverlag Konstanz, 2003), die tageszeitung, 15. 11. 2003.
  • "Künstlerin der Attitüde" (review of Gilbert Sinoué, Emma: Das Leben der Lady Hamilton, transl. by Sabine Müller and Holger Fock, München: C. H. Beck, 2003), Berliner Zeitung, 28. 4. 2003.
  • Linda Simonis, Die Kunst des Geheimen. Esoterische Kommunikation und ästhetische Darstellung im 18. Jahrhundert. Heidelberg: Winter, 2002. Poetica 34 (2002), 470-75.
  • Thomas Honegger (ed.), Authors, Heroes and Lovers. Essays on Medieval Literature and Language/Liebhaber, Helden und Autoren. Studien zur alt- und mittelenglischen Literatur und Sprache, Sammlung/Collection Variations 2, Bern: Peter Lang, 2001. Das Mittelalter 7 (2002), 196-98.
  • "Gott und die Geschenkkultur" (review of Natalie Zemon Davis, Die schenkende Gesellschaft. Zur Kultur der französischen Renaissance, transl. by Wolfgang Kaiser, München: C. H. Beck, 2002), Berliner Zeitung, 24. 6. 2002.
  • "Brillante Analysen und Fehleinschätzungen" (review of Sebastian Haffner, Churchill: Eine Biographie, Berlin: Kindler, 2001), die tageszeitung, 25. 3. 2002.
  • "Welche Bibel benutzen Sie?" (review of Ian Buruma, Anglomania: Europas englischer Traum, transl. by Hans Günther Holl, München: Hanser, 2002), Berliner Zeitung, 18. 3. 2002.
  • "Ein politischer Ästhet" (review of Uwe Soukup, Ich bin nun mal ein Deutscher - Sebastian Haffner: Eine Biographie, Berlin: Aufbau, 2001), die tageszeitung, 10. 10. 2001.
  • "Gefährliche Revolution des Plüschsofas" (review of Wolf Jobst Siedler, Ein Leben wird besichtigt: In der Welt der Eltern, Berlin: Siedler, 2001), die tageszeitung, 14. 8. 2001.
  • Seth Lerer, Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit, Cambridge Studies in Renaissance Literature and Culture 18, Cambridge: Cambridge University Press, 1997. Germanisch-Romanische Monatsschrift 50 (2000), 511-14.
  • Charles Ross, The Custom of the Castle, Berkeley: University of California Press, 1997; Willi Erzgräber, Mittelalter und Renaissance in England: Von den altenglischen Elegien bis Shakespeares Tragödien, Freiburg/Br.: Rombach, 1997. Shakespeare Jahrbuch 135 (1999), 232-33.

Übersetzungen

  • Klaus W. Hempfer, "Some Problems Concerning a Theory of Fiction(ality)", Style 38,3 (2004 [2005]), 301-24 [translated from German into English; online at www.encyclopedia.com].
  • Richard Rorty, "Der Roman als Mittel zur Erlösung aus der Selbstbezogenheit", Joachim Küpper/Christoph Menke (eds), Dimensionen ästhetischer Erfahrung, Frankfurt a. M.: Suhrkamp, 2003, 49-66 [original contribution, translated from English into German].
  • Geoffrey Chaucer, "The Book of the Duchess, ll. 577-597", Bernd Seidensticker/Antje Wessels (eds), Mythos Sisyphos: Texte von Homer bis Günther Kunert, Leipzig: Reclam, 2001, 48 [translated from English into German].
  • Edmund Spenser, "The Faerie Queene, I, 5, 34-35"; Bernd Seidensticker/Antje Wessels (eds), Mythos Sisyphos: Texte von Homer bis Günther Kunert, Leipzig: Reclam, 2001, 55 [translated from English into German].
  • Gabrielle Michelle Spiegel, "Geschichte, Historizität und die soziale Logik von mittelalterlichen Texten", Christoph Conrad/Martina Kessel (eds), Geschichte schreiben in der Postmoderne: Beiträge zur aktuellen Diskussion, Stuttgart: Reclam, 1994, 161-202 [Original: "History, Historicism, and the Social Logic of the Text in the Middle Ages", Speculum 65 (1990), 59-86; with Christoph Conrad, translated from English into German].

Zeitungsartikel

  • “Churchill erwacht”, Zeit Online, 19.03.2019.
  • “Eine Extrawurst für die Briten”, die tageszeitung, 23. 8. 2018.
  • “Zurück in die Zukunft”, die tageszeitung, 22. 7. 2017.
  • “Dem Zeitgeist auf der Spur”, Berliner Zeitung, 26. 4. 2011.
  • “Erhard, Schiller, Merz”, die tageszeitung, 6. 1. 2005.
  • “Der Churchill von der Saar”, die tageszeitung, 22. 9. 2003.
  • “Besonnen martialisch”, die tageszeitung, 21. 2. 2002.
  • “Philosoph der feinen Unterschiede”, die tageszeitung, 25. 1. 2002 (obituary for Pierre Bourdieu).
  • “In Verteidigung des Westens”, die tageszeitung, 21. 9. 2001 (critique of Samuel Huntington’s theory of the ‘Clash of Civilisations’).
  • “Die Rückkehr der Ideologie”, die tageszeitung, 20. 4. 2000.
  • “Intrigen überfordern die Politiker. Die CDU-Parteispendenaffäre und ihre Folgen (9): Die deutsche Demokratie funktioniert. Es gibt keine Kultur des Geheimen”, die tageszeitung, 3. 2. 2000.
  • “Nur keine neuen Feindbilder”, Die Zeit, 27. 8. 1993 (critique of Samuel Huntington’s theory of the ‘Clash of Civilisations’).
  • “Falsche Bescheidenheit”, Die Zeit, 2. 11. 1990.

  • 2022 Juni 9: "Widsith - das Lyrische im Epischen", Conference: Mittelalterliche Lyrik im Kontext, Ludwig-Maximilians-Universität München.
  • 2020 November 27: "'Learned at Padow of a worthy clerk': Petrarch, Padua and the Visual Contexts of Chaucer’s Clerk’s Tale", Conference: Petrarchism, Paratexts, Pictures: How They Build Cultural Communities, Freie Universität Berlin.
  • 2019 December 7: "Anonymity Incarnate: the Scop in Beowulf", Conference: Anonymity and Temporality, Freie Universität Berlin.
  • 2019 October 28: "Mittelalter", Ringvorlesung 'Stichworte': Fixierungen und Blendungen kunsthistorischer Begriffe, Freie Universität Berlin.
  • 2019 October 13: "Beowulf Fluten: Die Archäologie der Sintflut im altenglischen Epos", Naturkatastrophen. Abschlusstagung der DFG-Forschergruppe 1986, LMU München: Natur in politischen Ordnungsentwürfen: Antike – Mittelalter – Frühe Neuzeit, Kloster Ettal. 
  • 2019 August 2: "Religious Archaeology: The Matter of the Green Chapel in Sir Gawain and the Green Knight”, Objects of Belief: Dissent, Reform an Material Culture in Late Medieval England, Freie Universität Berlin.
  • 2019 June 18: "Chaucer und die Renaissance - das Problem der Epochenkonstruktion unter den Bedingungen einer globalen Literaturgeschichte", Literaturgeschichtliche Latenzen: Historiographische Präsuppositionen literaturwissenschaftlichen Interpretierens, Bielefelder Literaturwissenschaftliches Kolloquium, Universität Bielefeld.
  • 2019 April 20: "Reading the Fair Maid of Astolat: Editorial Practice, Performative Emotionality and Communal Forms of Reading", Reading Then, Reading Now: Bloomfield Conference, Harvard University.
  • 2018 December 5: "Global Beowulf. Kulturelle und historische Verflechtungsprozesse im altenglischen Epos", lecture series Lectures in Medieval Philology, Universität Zürich.
  • 2018 November 12: "Der Outlaw für Suburbia: Howard Pyles Robin Hood ", Ringvorlesung Mittelalterliche Stoffe in Kinder- und Jugendliteratur. Merlin in Bermuda-Shorts, Humboldt-Universität zu Berlin.
  • 2018 November 5: "Die Epoche im Kontext des Kontexts: Probleme der Periodisierung", DFG Workshop Probleme der Epochisierung, Freie Universität Berlin.
  • 2018 September 29: "Im Geheimnis eingefaltet. Die Schichten des Verborgenen in Sir Gawain and the Green Knight ", conference paper, "Darstellung und Geheimnis in Mittelalter und Früher Neuzeit" (SFB 980 'Episteme in Bewegung. Wissenstransfer von der Alten Welt bis in die Frühe Neuzeit'), Freie Universität Berlin.
  • 2018 September 13: "Brideshead Revisited. Religion ohne Psychologie oder die Rückkehr ins Schloss als die Rückkehr in die Vormoderne", Workshop Mittelalter in der Moderne. Die Präsenz vormoderner Formen in den modernen Künsten, Universität Potsdam.
  • 2018 August 23: "A Strange Object of Aesthetic Desire: Chaucer's Theatre as Cinema", conference paper, "Strange Matter: How Things Disrupt Time" (SFB 980 'Episteme in Bewegung. Wissenstransfer von der Alten Welt bis in die Frühe Neuzeit'), Freie Universität Berlin.
  • 2018 July 9: "Das schwimmende Grab: Elaine von Astolat und das Sterben als Instrument weiblicher Macht", Ringvorlesung Deploying the Dead, Freie Universität Berlin.
  • 2018 May 8: "In Gesellschaft einsam: Höfische Einsamkeit in der mittelenglischen Romanze ‚Sir Gawain and the Green Knight‘", Ringvorlesung: Kulturen der Einsamkeit, Julius-Maximilians-Universität Würzburg.
  • 2018 April 16: "Der Drachenhügel in Beowulf. Von der Mehrfachnutzung eines Grabes", Ringvorlesung: Deploying the Dead, Freie Universität Berlin.
  • 2017 November 18: "'Thise olde gentil Britouns in hir dayes': The Politics of Feigned Anonymity in Chaucer's Franklin's Tale", Anonymity in Premodernity, International Workshop, King's College London.
  • 2017 October 5: "Chaucers König Artus und die Entwertung der Matter of Britain", Entwertung und Ende, Kolloquium mit Mitgliedern und Mitarbeitern der Akademie der Wissenschaften und der Literatur Mainz (4. Meisterklasse),
    Akademie Mainz.
  • 2017 September 30: "Deep Time in Beowulf", Fabrics of Time, Jahrestagung der Friedrich Schlegel Graduiertenschule, Freie Universität Berlin.
  • 2017 September 2: "Trojan Iconophobia: Pictorial Politics in Chaucer's Troilus and Criseyde", Trojan Temporalities - Constructing Hybrid Antiquities in Medieval Troy Narratives, International Workshop, Freie Universität Berlin.
  • 2017 July 6: "Malory's Shipping News: Watery Graves with a Difference", Leeds International Medieval Congress.
  • 2016 November 14: “Der andere Perikles: Shakespeare auf der Reise durch Antike und Mittelalter”,“ Immer noch Shakespeare?!”, Universität Hamburg.
  • 2016 September 22: “Chaucer’s Medieval Medievalism: The Squire’s and “The Franklin’s Tales Revisited”, Anglistentag 2016, Universität Hamburg.
  • 2016 July 18: "Ridley Scott's Robin Hood and the Politics of Populist Democracy", The 31st International Conference on Medievalism: Tradition or Myth?, Universität Bamberg.
  • 2016 July 1: “The Footprints of the Foe: Tracks and Traces in Beowulf ”, conference paper, 4. Jahrestagung des Sonderforschungsbereiches 980 Episteme in Bewegung ( 4. Annual Conference of the Collaborative Research Centre 980 Episteme in Motion), Max-Planck-Gesellschaft Berlin.
  • 2016 April 28: “Den Rahmen sprengen: Geoffrey Chaucers Canterbury Tales und das Abenteuer des alchemistischen Erzählens”, 7. Frankfurter Goethe-Vorlesungen (7. Annual Goethe Lectures), Goethe Universität Frankfurt a.M.
  • 2015 November 28: "Die Dramatik des Schiffbruchs. Shakespeares The Tempest", Internationales Kolloquium, Freie Universität Berlin.
  • 2015 November 4: “Humanist Orientalism and Visual Art in the Canterbury Tales”, Mittelalterzentrum, Albert-Ludwigs-Universität Freiburg i.Br.
  • 2015 October 27: "Die Schrift auf dem Trockenen: Beowulf und die Flut der Buchstaben", Ringvorlesung: Schreiben als Ereignis. Künste und Kulturen der Schrift, Freie Universität Berlin.
  • 2015 April 25: “Heroic Temporalities: Shakespeare's Robin Hood”, Shakespeare-Tage Berlin, Freie Universität Berlin.
  • 2015 January 8: “Postcolonial Beowulf”, Universität Postdam.
  • 2014 November 6 : “Das Anti-Modell des Risikos? Das Amphitheater und Astrolabium in Geoffrey Chaucers The Knight's  Tale”, conference paper, “Modell+Risiko - Historische Miniaturen zu dynamischen Epistemologien”, (SFB 980 ‘Episteme in Bewegung. Wissenstransfer von der Alten Welt bis in die Frühe Neuzeit’), Freie Universität Berlin.
  • 2014 May 29: “Beginning at the Beginning: Intertextuality as History in Beowulf”, conference paper, “Transcending Medieval Temporalities - International Workshop” (SFB 980 ‘Episteme in Bewegung. Wissenstransfer von der Alten Welt bis in die Frühe Neuzeit’), Freie Universität Berlin.
  • 2014 May 20: “Brideshead Revisited”, lecture series Ringvorlesung - “Mein Roman”, Freie Universität Berlin.
  • 2014 May 1: “Chaucer’s Postcolonial Renaissance”, G.L. Brook Lecture, John Rylands Medieval Research Seminar, The University of Manchester.