ORCID: https://orcid.org/0000-0003-2388-9570

• with Zeno Ackermann. Precarious Figurations: Shylock on the German Stage. Berlin: De Gruyter, 2019 (paperback edition: De Gruyter, 2020). https://doi.org/10.1515/9783110617924

• Dirt in Victorian Literature and Culture: Writing Materiality. New York: Routledge, 2016. https://www.routledge.com/Dirt-in-Victorian-Literature-and-Culture-Writing-Materiality/Schulting/p/book/9781138932906

• Wilde Frauen, fremde Welten: Kolonisierungsgeschichten aus Amerika. Reinbek bei Hamburg: Rowohlt, 1997.

Editions

• “Contemporary Shakespeare”. Special issue of Shakespeare Bulletin 41.1 (2023). Ed. with Line Cottegnies and Gordon McMullan.
• “Shakespeare and the Jews: A Global Exploration”. Special issue of Shakespeare 18.1 (2022). Ed. with Coen Heijes. https://www.tandfonline.com/toc/rshk20/18/1
• General editor of Shakespeare Jahrbuch. Bochum: Kamp, 2006-2018; Stuttgart: Kröner, 2019-2022. https://shakespeare-gesellschaft.de/shakespeare-jahrbuch/
• Early Modern Encounters with the Islamic East: Performing Cultures. Ed. with Ralf Hertel and Sabine L. Müller. Aldershot: Ashgate, 2012. https://www.routledge.com/Early-Modern-Encounters-with-the-Islamic-East-Performing-Cultures/Schulting-Muller-Hertel/p/book/9781138273689
• Shylock nach dem Holocaust: Zur Geschichte einer deutschen Erinnerungsfigur. Conditio Judaica / Studien und Quellen zur deutsch-jüdischen Literatur- und Kulturgeschichte 78. Ed. with Zeno Ackermann. Berlin: de Gruyter, 2011. https://doi.org/10.1515/9783110258219
• Geschlechter-Revisionen: Zur Zukunft von Feminismus und Gender Studies in den Kultur- und Literaturwissenschaften. Ed. with Sabine L. Müller.Kulturwissenschaftliche Gender Studies 9. Königstein: Helmer, 2006.
• Co-editor, with Russell West-Pavlov, Frank Lay and Jennifer Lee, of the book series Genus: Gender in Modern Culture. Amsterdam: Rodopi, 2004 – 2010.
• Bi-Textualität: Inszenierungen des Paares. Geschlechterdifferenz und Literatur: Publikationen des Münchner Graduiertenkollegs 12. Ed. with Annegret Heitmann, Sigrid Nieberle and Barbara Schaff. Berlin: Erich Schmidt Verlag, 2001.
• Anglistentag 1998 Erfurt. Proceedings. Ed. with Fritz-Wilhelm Neumann. Trier: Wissenschaftlicher Verlag Trier, 1999.

Articles

Articles in peer-reviewed journals

• “Musicians, Chariot Bearers, and Ghost Characters: The Spectrality of Black Slavery in Early Modern Mediterranean Drama“. Humanities 13:144 (2024). https://doi.org/10.3390/h13060144
• “The Dark Lady’s Survival in Contemporary Black Women’s Writing”. Textual Practice (2024). https://doi.org/10.1080/0950236X.2024.2385922
• With Line Cottegnies and Gordon McMullan. “Introduction: Contemporary Shakespeare: Dislocations and Disjunctions”. Shakespeare Bulletin 41.1 (2023): 1–12. https://doi.org/10.1353/shb.2023.a907987
• With Coen Heijes, “Introduction: Shakespeare and the Jews”. Shakespeare 18.1 (2022): 1-7. https://doi.org/10.1080/17450918.2022.2030397
• “German Shakespeare in Translation: Discords from the Margins”. Shakespeare Studies 46 (2018): 48-58.
• “’Imagined Communities’: Reconsidering European Shakespeares”. Cahiers Élisabéthains: A Journal of English Renaissance Studies 96.1 (2018): 160-171. https://doi.org/10.1177/0184767818761144
• “‘The O. K. thing on Sunday is walking in the Zoo’: Zoological Gardens, the Music Hall, and Popular Recreation in Victorian London”. Journal for the Study of British Cultures (Special issue: The ‘Popular’ and the Past: Popular Cultures of the Nineteenth Century, ed. by Doris Feldmann and Christian Krug) 23.1 (2016): 11-24.
• “‘What is’t you lack?‘ Material Culture in Thomas Middleton’s A Chaste Maid in Cheapside”. Litteraria Pragensia: Studies in Literature and Culture 24 (2014): 97-111.
• “‘Remember Me’: Shylock on the Postwar German Stage”. Shakespeare Survey 63 (2010): 290-300.
• with Zeno Ackermann. “Zwischen Erinnerungstheater und ‘Globalisierungsdramatik’: Shylock in aktuellen deutschen Inszenierungen.” Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwelt (Special issue: Shylockgestalten, ed. Patric Blaser and Brigite Dalinger) 56.3 (2010): 11-22.
• “An other kinde of civilitie‘: (Un)Höflichkeit in ‘Orient’-Reisen der Frühen Neuzeit”. Zeitsprünge (Special issue: Konjunkturen der Höflichkeit in der Frühen Neuzeit, ed. by Britta Rang, Johannes Süßmann, Susanne Scholz, and Gisela Engel) 3/4 (2009): 364-378.
• “‘Indianized with the intoxicating filthie fumes of Tobacco’: English Encounters with the ‘Indian Weed’”. Hungarian Journal for English and American Studies 11.1 (2005): 93-116.
• “‘Pray, did you ever hear of Pear’s Soap?’ Soap, Dirt, and the Commodity in Victorian England”. Journal for the Study of British Cultures (Special Issue: Material Culture, ed. by Kurt Tetzeli von Rosador) 8.2 (2001): 137-156.
• “Bringing ‘this monstrous birth to the world’s light’: Colonial mimicry in early modern writing.” Erfurt Electronic Studies in English 1996 <http://webdoc.sub.gwdg.de/edoc/ia/eese/artic96/schulte/13_96.html>.
• with Janett Reinstädler. “‘Ich reise, um zu leben’: Die Reisebriefe Ida Hahn-Hahns aus Spanien und Portugal”. Tranvía: Revue der Iberischen Halbinsel 37 (1995): 30-33.

Book Chapters

• “Crossing the Mediterranean in Early Modern Drama”. In Facing Europe in Crisis: Shakespeare’s World and Present Challenges, ed. by Richard Chapman, Florence March, Paola Spinozzi, Nathalie Vienne-Guerrin. Porto: University of Porto Press, 2024, pp. 249-262.
• “‘This great world / Shall so wear out to naught‘: Pathos in Emily St. John Mandel’s Station Eleven”. In Figures of Pathos: Festschrift in Honour of Elisabeth Bronfen, ed. by Frauke Berndt, Isabel Karremann and Klaus Müller-Wille. Würzburg: Königshausen & Neumann, 2023, pp. 265-279.
• “‘Does anyone know another text?’ Postmigratory Othello-Adaptations on the German-Speaking Stage”. In The Arden Handbook of Shakespeare and Adaptation, ed. by Diana Henderson and Stephen O’Neill. London: Bloomsbury, 2022, pp. 114–131. https://doi.org/10.5040/9781350110335.ch-2.3
• “’This is the strangers’ case’: Shakespeare, Sir Thomas Moore, and Refugees”. In Shakespearean International Yearbook. 19: Special Section, Shakespeare and Refugees, ed. by Ton Hoenselaars and Stephen O’Neill. New York: Routledge, 2022, pp. 103–116. https://doi.org/10.4324/9781003227359-12
• “Tales (not) from Shakespeare: Shakespeare ‘Re-Told’ for the 21st Century”. In And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales, ed. by Ina Habermann and Christian Krug. Erlangen: FAU University Press, 2020, pp. 37-53. https://doi.org/10.25593/978-3-96147-343-4
• “’Affections Dark as Erebus’ – Religion, Gender and the Passions in The Merchant of Venice”. In The Merchant of Venice: A Critical Reader, ed. by Sarah Hatchuel and Nathalie Vienne-Guerrin. London: The Arden Shakespeare, 2020, pp. 105-124. https://doi.org/10.5040/9781350082328.ch-004
• “Evoking the Holocaust in George Tabori’s Productions of The Merchant of Venice”. In Wrestling with Shylock: Jewish Responses to The Merchant of Venice, ed. by Michael Shapiro and Edna Nahshon. Cambridge: Cambridge University Press, 2017, pp. 224-242. https://doi.org/10.1017/9780511845789.011
• “‘Schön, dass ihr da seid. Und jetzt habt viel Spaß!‘ Jessica und die Spaßgesellschaft”. In Wer lacht, zeigt Zähne: Spielarten des Komischen, ed. by Johann N. Schmidt, Felix C. H. Sprang and Roland Weidle. Trier: wvt, 2014, pp. 41-48.
• “‘What country, friends, is this?’ The Performance of Conflict in Shakespeare’s Drama of Migration”. In Shakespeare and Conflict: A European Perspective, ed. by Carla Dente and Sara Soncini. New York: Palgrave Macmillan 2013, pp. 24-39. https://doi.org/10.1057/9781137311344_3
• “Strategic Improvisation: Henry Blount in the Ottoman Empire”. In Early Modern Encounters with the Islamic East: Performing Cultures. Transculturalisms, 1400-1700, ed. by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel. Farnham / Burlington, VT: Ashagte, 2012, pp. 67-82.
• with Sabine Lucia Müller and Ralf Hertel: “Introduction: Cultures at Play”. In Early Modern Encounters with the Islamic East: Performing Cultures. Transculturalisms, 1400-1700, ed. by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel. Farnham / Burlington, VT: Ashgate, 2012, pp. 1-8.
• “Shylock als Erinnerungsfigur”. In Shylock nach dem Holocaust: Zur Geschichte einer deutschen Erinnerungsfigur. Conditio Judaica / Studien und Quellen zur deutsch-jüdischen Literatur- und Kulturgeschichte 78, ed. by Zeno Ackermann and Sabine Schülting. Berlin: de Gruyter, 2011, pp. 103-116. https://doi.org/10.1515/9783110258219
• with Zeno Ackermann, “Einleitung: Überlegungen zu einer Kulturgeschichte der Shylock-Figur seit 1945”. In Shylock nach dem Holocaust: Zur Geschichte einer deutschen Erinnerungsfigur. Conditio Judaica / Studien und Quellen zur deutsch-jüdischen Literatur- und Kulturgeschichte 78, ed. by Zeno Ackermann and Sabine Schülting. Berlin: de Gruyter, 2011, pp. 3-10. https://doi.org/10.1515/9783110258219
• “’The Readiness is all’: Hamlet und der Terrorismus”. In Hamlet von William Shakespeare. Theatalität und Tod in Michael Thalheinmers Inszenierung am Thalia Theater Hamburg. Theater und Universität im Gespräch 8, ed. by Ortrud Gutjahr. Würzburg: Königshausen und Neumann, 2009, pp. 65-79.
• “Living Panoramas: Victorian Zoos.” In Victorian Visual Culture. Anglistik und Englischunterricht 71, ed. by Renate Brosch. Heidelberg: Universitätsverlag Winter, 2008, pp. 83-97.
• “‘A gordian shape of dazzling hue’. Das Monströse in der englischen Wissenschaft und Literatur um 1800”. In Fremde Figuren: Alterisierungen in Kunst, Wissenschaft und Anthropologie um 1800, ed. by Alexandra Böhm and Monika Sproll. Würzburg: Königshausen & Neumann, 2008, pp. 229-246.
• “Remaking the Past and the Future: Salman Rushdie’s The Moor’s Last Sigh”. In A History of Postcolonial Literature in 12 1/2 Books, ed. by Tobias Döring. Trier: WVT, 2007, pp. 105-121.
• “‘All freaks of nature’: Visualisierungen des Monströsen im London des 19. Jahrhundert”. In MenschenFormen: Visualisierungen des Humanen in der Neuzeit.Kulturwissenschaftliche Gender Studies 12, ed. by Susanne Scholz and Felix Holtschoppen. Königstein: Helmer, 2007, pp. 112-136.
• “‘A Squalid and Debilitated Race’: ‘Social Body’ und ‘nacktes Leben’ im englischen Armutsdiskurs um 1800”. In Die Ordnung der Kulturen: Zur Konstruktion ethnischer, nationaler und zivilisatorischer Differenzen 1750-1830, ed. by Hansjörg Bay and Kai Merten. Würzburg: Königshausen & Neumann, 2006, pp. 313-330.
• “Reading Sex Historically: Zu Problemen und Perspektiven der kulturhistorischen Gender Studies”. In Geschlechter-Revisionen: Zur Zukunft von Feminismus und Gender Studies in den Kultur- und Literaturwissenschaften. Kulturwissenschaftliche Gender Studies 9, ed. by Sabine L. Müller and Sabine Schülting. Königstein: Helmer: 2006, pp. 58-74.
• “I am not bound to please thee with my answers” – The Merchant of Venice on the Post-war German Stage”. In World Wide Shakespeares: Local Appropriations in Film and Performance, ed. by Sonia Massai. London: Routledge, 2005, pp. 65-71.
• “Tobacco – Sacred and Profane”. In Performances of the Sacred in Late Medieval and Early Modern England, ed. by Tobias Döring and Susanne Rupp. Amsterdam/New York: Rodopi, 2005, pp. 189-203.
• “We Can’t Hear a Word: Shakespeare in Silent Film”. In Sh@kespeare in the Media, ed. by Stefani Brusberg-Kiermeier and Jörg Helbig. Frankfurt a.M. etc.: Peter Lang, 2004, pp. 151-167.
• “Wa(h)re Liebe. Geldgeschäfte und Liebesgaben in der Frühen Neuzeit”. In Imaginationen des Anderen im 16. und 17. Jahrhundert. Wolfenbütteler Forschungen 97, ed. by Ina Schabert and Michaela Boenke. Wiesbaden: Harrassowitz Verlag, 2002, pp. 263-284.
• “‘Dichter und Bauerin’: Inszenierungen des ungleichen Paares in den Texten von Arthur J. Munby und Hannah Cullwick.” In Bi-Textualität: Inszenierungen des Paares. Geschlechterdifferenz und Literatur: Publikationen des Münchner Graduiertenkollegs 12, ed. by Annegret Heitmann et al. Berlin: Erich Schmidt Verlag, 2001, pp. 179-195.
• “Kultur – Körper – Theater: Othello-Inszenierungen”. In Kulturkommunikation. Anglistik in der Remediatisierung der Informationsgesellschaft, ed. by Eberhard Klein et al. Trier: wvt, 2000, pp. 47-64.
• “Die späteren Tragödien”. In Shakespeare Handbuch. Revised edition, ed. by Ina Schabert. Stuttgart: Kröner, 2000, pp. 529-547.
• “Travellers’ Tales: Narrativity in Early Modern Travelogues”. In Anglistentag 1999 Mainz. Proceedings, ed. by Bernhard Reitz and Sigrid Rieuwerts. Trier: wvt, 2000, pp. 429-438.
• “‘Shylock geht – und immer kehrt er wieder’: William Shakespeares The Merchant of Venice”. In Interpretationen von Shakespeares Dramen. Stuttgart: Reclam, 2000, 129-155.
• “Koloniale Liebesgeschichten”. In Kultur, Geschlecht, Körper, ed. by Genus. Münsteraner Arbeitskreis für Gender Studies. Münster: Agenda Verlag, 1999, pp. 119-139.
• “‘Dream factories’: Hollywood and Venice in Nicolas Roeg’s Don’t Look Now”. In Venetian Views, Venetian Blinds: English Fantasies of Venice, ed. by Manfred Pfister and Barbara Schaff. Amsterdam: Rodopi, 1999, pp. 195-212.
• “‘Poisoning the Blood of the Nation’: Viktorianische Verhandlungen urbaner Prostitution”. In Verhandlungen mit dem New Historicism: Das Text-Kontext Problem in der Literaturwissenschaft,ed. by Annegret Heitmann and Jürg Glauser. Würzburg: Königshausen & Neumann, 1999, pp. 225-246.
• “‘Only a female pen to celebrate his name’: Fremder Körper und europäischer Text in Aphra Behns Oroonoko”. In Fremdheitserfahrung und Fremdheitsdarstellung in okzidentalen Kulturen: Theorieansätze, Medien/Textsorten, Diskursformen, ed. by Bernd Lenz and Hans-Jürgen Lüsebrink. Passau: wissenschaftsverlag richard rothe: 1999, pp. 413-426.
• “Proletarische Krankengeschichten: Friedrich Engels’ Die Lage der arbeitenden Klasse in England”. In Geschichte und Fiktion in der anglo-amerikanischen Literatur, ed. by Rüdiger Ahrens and Fritz-Wilhelm Neumann. Heidelberg: Winter, 1998, pp. 239-253.
• “Peeling Off History in Salman Rushdie’s The Moor’s Last Sigh”. In Hybridity and Postcoloniality: Twentieth-Century Indian Literature, ed. by Monika Fludernik. Tübingen: Stauffenburg, 1998, pp. 239-260.
• “Good Girls – Bad Girls? King Lear und seine Töchter”. Afterword. King Lear, trans Frank Günther. München: Deutscher Taschenbuch Verlag, 1997, pp. 354-378.
• “‘Les émotions po-hêtiques’: Auto(r)erotik in Gustave Flauberts Reise in den Orient”. In Auto(r)erotik: Gegenstandslose Liebe als literarisches Projekt, ed. by Annette Keck and Dietmar Schmidt. Geschlechterdifferenz und Literatur: Publikationen des Münchner Graduiertenkollegs 2. Berlin: Erich Schmidt Verlag, 1994, pp. 20-37.

Shorter Articles

• “Begegnungen”. In Handbuch Literatur und Reise, ed. by Hanjörg Bay et al. Stuttgart: J. B. Metzler, 2024, pp. 436-437. https://doi.org/10.1007/978-3-476-05997-0_83
• “Shakespeare, History and ‘Cancel Culture’”. In The Humanities in the 21st Century: Perspectives from the Arab World and Germany, ed. by Nuha Alshaar, Beate Ulrike La Sala, Jenny Rahel Oesterle, and Barbara Winckler. Dossiers Forum Transregionale Studien, vol 2. Berlin: Forum Transregionale Studien e. V., 2022, pp. 72-78. http://doi.org/10.25360/01-2022-00060
• “Materielle Kultur in der City Comedy der Frühen Neuzeit”. In Handbuch Literatur und Materielle Kultur, ed. by Susanne Scholz and Ulrike Vedder. Berlin: de Gruyter 2018, pp. 172–179. https://doi.org/10.1515/9783110416497-019
• “Dreck”, in Handbuch Literatur und Materielle Kultur, ed. by Susanne Scholz and Ulrike Vedder. Berlin: de Gruyter, 2018, 395–396. https://doi.org/10.1515/9783110416497-052
• “Iconic Characters: Shylock”. In The Cambridge Guide to the Worlds of Shakespeare, 2 vols, ed. by Aimara Resende and Bruce Smith. Vol. II: The World's Shakespeare 1660–Present, ed. by Bruce Smith. Cambridge: Cambridge University Press, 2016, pp. 1325–1326.
• “London: frühneuzeitliche Großstadt”. In Handbuch Literatur & Raum, ed. by Jörg Dünne and Andreas Mahler. Berlin: de Gruyter, pp. 385–392. https://doi.org/10.1515/9783110301403-035
• “Shylock”. In Enzyklopädie jüdischer Geschichte und Kultur, vol. 5, ed. by Dan Diner. Stuttgart / Weimar: Metzler, 2014, pp. 482-487. https://doi.org/10.1163/2468-2845_ejgk_COM_0809
• “Shakespeare”. In De Gruyter Lexikon Poetiken: Autoren – Texte – Begriffe, ed. by Monika Schmitz-Emans, Uwe Lindemann, and Manfred Schmeling. Berlin: Walter de Gruyter, 2009, pp. 377-378. https://doi.org/10.1515/9783110215960.1
• “Elizabeth Gaskell: Cranford.” In Kindlers Literaturlexikon, ed. by Heinz Ludwig Arnold. 3rd revised ed. 18 vols. Stuttgart: Metzler, 2009, vol. 6, p. 124.
• “Elizabeth Gaskell: Ruth.” In Kindlers Literaturlexikon, ed. by Heinz Ludwig Arnold. 3rd revised ed. 18 vols. Stuttgart: Metzler, 2009, vol. 6, p. 125.
• “George Moore: A Mummer’s Wife.” In Kindlers Literaturlexikon, ed. by Heinz Ludwig Arnold. 3rd revised ed. 18 vols. Stuttgart: Metzler, 2009, vol. 11, p. 445.
• with Doris Feldmann. Entries on feminist literary studies and gender studies. In Lexikon Literatur- und Kulturtheorien: Ansätze, Personen, Grundbegriffe, ed. by Ansgar Nünning. Stuttgart: Metzler, 1998. 2nd revised ed. 2001. 3rd revised ed. 2004.
• “Haraway, Donna Jeanne.” In Lexikon Literatur- und Kulturtheorien: Ansätze, Personen, Grundbegriffe, ed. by Ansgar Nünning. 3rd revised ed. Stuttgart: Metzler, 2004, pp. 246-247.
• “Gaskell Elizabeth [Cleghorn].” In Metzler Lexikon englischsprachiger Autoren, ed. by. Eberhard Kreutzer and Ansgar Nünning. Stuttgart: Metzler, 2002, pp. 222-224.
• “Gissing, George [Robert].” In Metzler Lexikon englischsprachiger Autoren, ed. by. Eberhard Kreutzer and Ansgar Nünning. Stuttgart: Metzler, 2002, pp. 230-231.
• “Kingsley, Charles.” In Metzler Lexikon englischsprachiger Autoren, ed. by Eberhard Kreutzer and Ansgar Nünning. Stuttgart: Metzler, 2002, pp. 322-323.
• “Mayhew, Henry.” In Metzler Lexikon englischsprachiger Autoren, ed. by. and Ansgar Nünning. Stuttgart: Metzler, 2002, p. 390.
• “Moore, George [Augustus].” In Metzler Lexikon englischsprachiger Autoren, ed. by. Eberhard Kreutzer and Ansgar Nünning. Stuttgart: Metzler, 2002, pp. 409-410.

Reviews

• Zachary Samalin, The Masses Are Revolting: Victorian Culture and the Political Aesthetics of Disgust. Ithaca: Cornell University Press, 2021. In Journal of British Studies 62.3 (2023): 847-48. https://doi.org/10.1017/jbr.2023.134.
• Janet Clare and Dominique Goy- Blanquet (eds.), Migrating Shakespeare: First European Encounters, Routes and Networks. Edited by . London: Bloomsbury, 2021. In Shakespeare Studies 50 (2022): 178-183.
• Brett Gamboa and Lawrence Switzky (eds.), Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory and Performance, New York and Abingdon: Routledge, 2020. In Shakespeare Studies 49 (2021): 306-311.
• Marlis Schweitzer und Joanne Zerdy (eds.), Performing Objects & Theatrical Things. Basingstoke: Palgrave Macmillan, 2014. In Journal for Contemporary Drama in English 4.2 (2016): 435-439. https://doi.org/10.1515/jcde-2016-0039
• Monika Fludernik und Miriam Nandi (eds.), Idleness, Indolence and Leisure in English Literature. Basingstoke: Macmillan, 2014. In AAA 41.1 (2016): 69-72.
• Anne-Julia Zwierlein (ed.), Gender and Creation. Surveying Gendered Myths of Creativity, Authority and Authorship.(Regensburger Beiträge zur Gender-Forschung 4). Heidelberg: Winter, 2010. In Arbeiten aus Anglistik und Amerikanistik 37.1 (2012): 135-138.
• Andrew Murphy, Shakespeare for the People: Working-Class Readers, 1800-1900. Cambridge: CUP, 2008. In Zeitschrift für Anglistik und Amerikanistik. A Quarterly of Language, Literature and Culture 2 (2009): 200-202.
• Robin Headlam Wells, Shakespeare’s Humanism und Richard Wilson, Shakespeare in French Theory. In Shakespeare Jahrbuch 144 (2008): 236-238.
• Roger Paulin, The Critical Reception of Shakespeare in Germany 1682-1914; and Hansjürgen Blinn/ Wolf Gerhard Schmidt, Shakespeare – deutsch: Bibliographie der Übersetzungen und Bearbeitungen. In Shakespeare Jahrbuch 141 (2005): 251-253.
• Claire McEachern (ed.), The Cambridge Companion to Shakespearean Tragedy. In Shakespeare Jahrbuch 140 (2004): 315.
• Wes Folkerth, The Sound of Shakespeare und Kenneth Gross: Shakespeare's Noise. In Shakespeare Jahrbuch 140 (2004): 305-306.
• Philippa Kelly (ed.), The Touch of the Real: Essays in Early Modern Culture in Honour of Stephen Greenblatt. In Archiv für das Studium der neueren Sprachen und Literaturen 156.2 (2004): 404-406.
• Stephen Greenblatt, Hamlet in Purgatory, and Anselm Haverkamp: Hamlet: Hypothek der Macht. In Poetica 35.3-4 (2003): 454-459.
• Jean E. Howard and Scott Cutler Shershow (eds.), Marxist Shakespeares. London/ New York 2001. In Shakespeare Jahrbuch 139 (2003): 309-311.
• Thad Logan, The Victorian Parlour. Cambridge 2001. In Journal for the Study of British Cultures 9.1 (2002): 120-121.
• Russell Jackson (ed.), The Cambridge Companion to Shakespeare on Film. Cambridge 2000. In Shakespeare Jahrbuch 138 (2002): 272-273.
• Gisela Ecker und Susanne Scholz (eds.), UmOrdnungen der Dinge. Königstein/Taunus 2000. In Erfurt Electronic Studies in English (2001).
• Kate Aughterson (ed.), The English Renaissance: An Anthology of Sources and Documents.London 1998. In Shakespeare Jahrbuch 137 (2001): 270.
• A Midsummer Night’s Dream, ed. Judith M. Kennedy and Richard F. Kennedy. Shakespeare: The Critical Tradition. London 2000. In Shakespeare Jahrbuch 137 (2001): 269.
• „Shakespeare – kreuz und que(e)r“. Review of Richard Burt, Unspeakable ShaXXXpeares: Queer Theory and American Kiddie Culture (New York 1998); Celia Daileader, Eroticism on the Renaissance Stage: Transcendence, Desire and the Limits of the Visible (Cambridge 1998); Mario DiGangi, The Homoerotics of Early Modern Drama (Cambridge 1997), Dorothy Stephens, The Limits of Eroticism in Post-Petrarchan Narrative: Conditional Pleasure from Spenser to Marvell (Cambridge 1998). In Shakespeare Jahrbuch 137 (2001): 237-241.
• James Naremore(ed.), Film Adaptation. London 2000; and Deborah Cartmell, I. Q. Hunter, Heidi Kaye, and Imelda Whelehan (eds.), Classics in Film and Fiction. London 2000. In Zeitschrift für Anglistik und Amerikanistik (2001): 101-102.
• E. A. J. Honigmann, Shakespeare: The ‘Lost Years’. 2nd ed. Manchester 1998. In Shakespeare Jahrbuch 136 (2000): 311.
• Susanne Schmid, Jungfrau und Monster: Frauenmythen im englischen Roman der Gegenwart. Berlin 1996. In Anglia: Zeitschrift für Englische Philologie 118.2 (2000): 310-313.
• Miriam Bailin, The Sickroom in Victorian Fiction: The Art of Being Ill. Cambridge 1994. In Archiv für das Studium der neueren Sprachen und Literaturen 151 (1999): 205-207.
• “Koloniale Bühnen: Frühneuzeitliche Reisen und das Theater”. Review of Jean-Pierre Maquerlot and Michèle Willems (eds.), Travel and Drama in Shakespeare’s Time. Cambridge 1996. In Shakespeare Jahrbuch 134 (1998): 283-84.
• Margo Hendricks and Patricia Parker (eds.), Women, “Race,” and Writing in the Early Modern Period. London, New York 1994. In Shakespeare Jahrbuch 131 (1995): 243-244.